A Quote by Michael Portillo
The true symbolism of every facet of 'Guernica' can only be guessed at, but we do know that it haunted Picasso.
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A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»
All of a sudden I got a vision of Guernica - Pablo Picasso's painting, which is one of my all-time favorite paintings in the world. I remember reading that it was very controversial at the time - some people said even used the word "childlike drawing" - and all of a sudden I thought, "This is like Guernica in Los Angeles!" And then it all made sense to me. It was all the elements that are the Southland.
Ultimately, I don't think you can be a character who's completely alien or divorced from your own personality. It's probably true of every writer - it's probably true of every filmmaker, every songwriter - that, ultimately, every character you create is a facet of yourself.
Artists have their existential questions as human beings, and they address these questions in their works. But they are also thinking in a broader sense when they participate in a social and political debate through their works. Often the most important voices of artists in the political and the social debate are focused on originality in their works. We can see this in historical pieces, like "Guernica" by Picasso. "Guernica" was an extremely important manifestation and critique against war, but it was important and powerful because it was also an incredibly original and powerful work of art.
Whenever I write, I write what I find to be the way people are. I never use any symbolism at all, but if you write as true to life as you possibly can, people will see symbolism. They'll all see different symbolism, but they're apt to because you can see it in life.
Art is important because when people start to forget, art reminds them what happened. Like 'Guernica.' People would not remember the tragedy of Guernica today if it were not for that painting.
I don't know a whole lot about symbolism. There seems to me to be a potential danger in symbolism. I feel more comfortable with metaphors and similes.
Quality for me is key, and this stands true in every facet of my business from real estate, hotels, and fashion.
We are born haunted, he said, his voice weak, but still clear. Haunted by our fathers and mothers and daughters, and by people we don't remember. We are haunted by otherness, by the path not taken, by the life unlived. We are haunted by the changing winds and the ebbing tides of history. And even as our own flame burns brightest, we are haunted by the embers of the first dying fire. But mostly, said Lord Jim, we are haunted by ourselves.
Would you ask Picasso to explain 'Guernica?' Would you ask Nabokov to explain 'Lolita?' Would you ask Tolstoy about 'War and Peace?' No, you wouldn't dare.
Never hesitate to imitate another writer. Imitation is part of the creative process for anyone learning an art or a craft. Bach and Picasso didn't spring full-blown as Bach or Picasso; they needed models. This is especially true of writing.
I don't know that there are haunted houses. I know that there are dark staircases and haunted people.
I'm just worried about winning baseball. I'm only worried about what I can do to help the team win. It's about improving in every facet of the game. I think that's everyone's goals. Whatever we can do to help the team win is what we'll do. I think Andy has done a great job of coming in and helping our offense. AD is getting those pitchers ready. Coach Mainieri is going to coach up some wins this year. We are very excited and working on every facet of the game.
I'm not going to talk about Picasso. I have done my duty to those memories. I have had a great career as an artist myself, you know. I'm not here just because I've spent time with Picasso.
Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
The bohemian artist who exists only for his art, it's a myth. OK, it might have been true for Giacometti, but it certainly wasn't for Picasso or Mozart.
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