A Quote by Michael Portillo

My Scottish grandfather, John W. Blyth, was a man addicted to paintings. A manufacturer of linen, he spent all his surplus money on pictures. — © Michael Portillo
My Scottish grandfather, John W. Blyth, was a man addicted to paintings. A manufacturer of linen, he spent all his surplus money on pictures.
I'm not particularly ethnically Scottish; I have one grandfather who is Scottish, although he's called Macdonald, and you don't get a lot more Scottish than that. The Scottish part of my family are from Skye, and I've always been very aware of that - always been very attracted to Scottish subject matter, I guess.
Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man. These stories run like secret rivers through all the other stories of his life – of my grandfather’s days in the army; his great love for my grandmother; the years he spent as a surgeon and a tyrant of the University. One, which I learned after his death, is the story of how my grandfather became a man; the other, which he told to me, is of how he became a child again.
I have Scottish genes: my grandfather was Scottish. My father was a voracious drinker. So, drinking came naturally to me.
Regarding R. H. Blyth: For translations, the best books are still those by R. H. Blyth. . . .
Regarding R. H. Blyth: Two men who may be called pillars of the Western haiku movement, Harold G. Henderson and R. H. Blyth. . . .
Regarding R. H. Blyth: Blyth's four volume Haiku became especially popular at this time [1950's] because his translations were based on the assumption that the haiku was the poetic expression of Zen. Not surprisingly, his books attracted the attention of the Beat school, most notably writers such as Allen Ginsberg, Gary Snyder and Jack Kerouac, all of whom had a prior interest in Zen.
Regarding R. H. Blyth: Blyth is sometimes perilous, naturally, since he's a high-handed old poem himself, but he's also sublime - and who goes to poetry for safety anyway.
A man with a surplus can control circumstances, but a man without a surplus is controlled by them, and often has no opportunity to exercise judgment.
My grandfather was a great advocate of Scottish art at a time when Scottish artists struggled to be taken seriously. They were not highly regarded, but he fought for them, befriended them, and championed them.
If you want to go way way back, then I'm Scottish. My great great grandfather was Scottish, James Gordon Harriott, and a white Scotsman too.
A father is a man who expects his son to be as good a man as he meant to be, A father is someone who carries pictures where his money used to be.
One of the commonest things to do with savings is to lend them to some Government. In view of the fact that the bulk of the public expenditure of most civilized Governments consists in payment for past wars or preparation for future wars, the man who lends his money to a Government is in the same position as the bad men in Shakespeare who hire murderers. The net result of the man's economical habits is to increase the armed forces of the State to which he lends his savings. Obviously it would be better if he spent the money, even if he spent it in drink or gambling.
Why should a manufacturer bet his money, perhaps the future of his company, on your instinct?
If America is addicted to foreign money and foreign oil, then China is addicted to foreign supplies of just about every commodity known to man - save highly polluting coal.
Sometimes I wonder what my grandfather would think of what I do, he spent his whole life in the kebab business, was buried with all his equipment, probably turning in his grave.
I always bought pictures, I only started to buy oil paintings when I started to make serious amounts of money because they cost a serious amount of money.
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