A Quote by Michael Rapaport

Positive doesn't mean unflawed: It means human and vulnerable. If you make a film and you're portraying the subject with respect, you're gonna do it in an honest way. — © Michael Rapaport
Positive doesn't mean unflawed: It means human and vulnerable. If you make a film and you're portraying the subject with respect, you're gonna do it in an honest way.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
I'm gonna make music, and I'm gonna capture every aspect of being a human being. That's really all I'm trying to do. I think that artists and pop culture identities are used to simplify what it means to be a human and pigeon-hole people into looking up to one role model.
She looks up at me with those vulnerable eyes. “What if it means something?” She asks. “What if it does?” “Promise me it won’t mean anything.” I lean my head back on the couch. “It won’t mean anythin’.” Aren’t I supposed to be the guy in this scenario, laying down the no-commitment rules? “And no tongue,” she adds. “Mi vida, if I kiss you, I guarantee there’s gonna be tongue.
As soon as Jesus sits on his throne he's gonna rule the world with a rod of iron. That means he's gonna make the ACLU do what he wants them to. That means you're not gonna have to ask if you can pray in public school. We will live by the law of God and no other law.
When you've been touched by sadness and grief, it makes you vulnerable. And because I am vulnerable, I try to be positive. And when I say 'try,' I really do mean try, because it's an effort.
I've always been accused by my detractors of some sort of moral failure, cowardice, or even lack of humanity by not portraying the human form. I respond that I do better by portraying traces of character and intentions of human volition that no mug or body shot can ever exude.
Let's not use the term democracy as a play on words which is what people commonly do, using human rights as a pretext. Those people that really violate human rights [the West] violate human rights from all perspectives. Typically on the subject of human rights regarding the nations from the south and Cuba they say, "They are not democratic societies, they do not respect human rights, and they do not respect freedom of speech".
My characters in my movies are all flawed. You'll probably never see Tom Hanks in a Doug Liman film. He plays, you know, very earnest and unflawed.
Ringo: 'I do get emotional when I think back about those times. My make-up is emotional. I'm an emotional human being. I'm very sensitive and it took me till I was forty-eight to realize that was the problem! We were honest with each other and we were honest about the music. The music was positive. It was positive in love. They did write - we all wrote - about other things, but the basic Beatles message was Love.
Film is an incredible way to express yourself and your vision, as is fashion, but you have to make sure [to] be confident and honest and true to yourself and say something that means something, because that is really the point of any art.
I feel vulnerable a lot interacting with human beings and being honest with people, and if I read their energy kind of not getting or shutting me down or this feeling of where we're not connecting, that's kind of a vulnerable place for me.
I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.
I don't care if you're my brother - if we go play football, I'm gonna try to crack your head open. It doesn't mean that I don't love you. It doesn't mean that I don't respect you.
I look at all the ingredients of a film and say, 'Is this a positive thing that I'm putting into the world? Is there honor and respect in the way the story is being told about them? And would they approve of that?'
In the case of 'The Deep,' because of the people involved, the talent and the real lives of people who died, I wanted to make the most honest film I could. And sometimes that's the best way to go: Just make the best version of the film you can.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.
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