A Quote by Michael Rapaport
Being a part of independent-film world, the independent-film community, that's what you do. You support each other. If someone's doing a movie and you trust them, you roll the dice. Sometimes it's gonna be good, sometimes it's gonna be something that's like, "Oh I don't know what the hell that is." But I've been more fortunate than not to have it work well.
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Sometimes you feel all alone. You come out of a meeting, and something sexist has been said to you: That movie will never be made with that female lead. And you think, 'How am I ever gonna get another job?' When you hear other women having the same experiences, it makes you feel like, 'Well, I'm gonna keep going, and we're gonna fight this system.'
And sometimes you just have to trust that there will be more, sometimes you go through dry spells and you have to assure yourself "no no, it's gonna be fine. There's gonna be more songs, it's all good.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
I love good film, whether it's an independent or studio film. The independent films, I think the good ones aren't necessarily eccentric ones but they're the more specific ones.
Well I'm a-gonna raise a fuss, I'm gonna raise a holler
About workin' all summer just to try an' earn a dollar
Everytime I call my baby, to try to get a date
My boss says, no dice, son, you gotta work late
Sometimes I wonder what I'm gonna do
'cause there ain't no cure for the summertime blues.
You're not gonna win every outing. I don't mean game. You're not gonna beat everybody out for the top job. Sometimes you're gonna be the best, but you're not gonna get the gig because there are other factors, people making the decision might like somebody more than they like you. It's vicious. And you have to be totally, singularly focused on yourself. Not in a bad way.
When you go into a film, you read it, and something clicks for you, and you like it, and you sign on for it; you go for it. You know that this is going to be a good film, and that is your best hope. Past that, it's a crap shoot - you roll the dice.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.
I've been fortunate to work with some amazing Asian filmmakers in independent film.
How movies are financed, it's a world market now... I feel like, you know, the independent film way of working is something that was in my bones. It's like being a part of a punk band, but no one's singing punk rock anymore. Only a few bands are able to play, and Woody Allen is one of them.
Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'
Sometimes you're gonna write a song and it's not gonna be right from the beginning. And you're just gonna have to work through that wall. But if you know something is there, you've gotta just keep doing it until you get it right. So, I'll work on a song for three months if I have to, to get it right.
Every single person in the Chicago independent scene said, 'You've got to be a bad guy. You're a Muslim. We're gonna make money. We're gonna call you Sheik Abdullah something. You're gonna wear a turban.'
If something's gonna make you happy, and you know it's gonna make you happy, and it's what you want more than anything in the world, don't let someone else discourage you and talk you out of doing it just because they're doubters.
"Let's say we discover the gene that says the kid's gonna be gay. How many parents, if they knew before the kid was gonna be born, [that he] was gonna be gay, they would take the pregnancy to term? Well, you don't know but let's say half of them said, "Oh, no, I don't wanna do that to a kid." [Then the] gay community finds out about this. The gay community would do the fastest 180 and become pro-life faster than anybody you've ever seen. ... They'd be so against abortion if it was discovered that you could abort what you knew were gonna be gay babies."
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