A Quote by Michael Rapaport
Like any family, like any group - the Beatles, Led Zeppelin, EPMD, Public Enemy - they've had bumps in the road. I just think that because A Tribe Called Quest is so precious to fans, they were concerned about unveiling some of those things.
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If you think about it, there's not a religious group, there's not a nationalistic group, there's not a tribe, there is no grouping of people to my knowledge, of any consequence, who have not, at one or another time, been the object of hatred, racism, or who has not had people against them just because they were them.
When I appeared in EPMD's 'Hardcore' song and video that was just crazy. Def Jam had these little virals back then on VHS tape. Q-Tip was another very important person to my career. He had me in A Tribe Called Quest's 'Scenario' video when I was first coming out.
The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
A Tribe Called Quest was one of those things where it was supposed to be about growth. When I say 'growth,' I don't just mean with our sound or our product, but Tribe was supposed to grow as individuals.
I grew up on listening to, like, Mantronix and BDP and EPMD and Kool G Rap and Ultramag and Public Enemy and Fat Boys and Run DMC and a lot of those early records, those Rubin-era records. Those were always snare- and stab-heavy records.
I hope fans will go back and listen to the Beatles and the Beach Boys or Led Zeppelin, or put on 'Tommy' and let them experience like I did that moment when 'Pinball Wizard' comes on.
I love the Beatles, and when I was very young, I had young parents, so Led Zeppelin and Janis Joplin and Jimi Hendrix and the Beatles constantly were big influences on my life.
We decided to start our own group because we were bored with everything we heard... Everything was 10th-generation Led Zeppelin... Overproduced, or just junk. We missed music like it used to be.
I like The Beatles and I like The Kinks and I like The Rolling Stones and I like Led Zeppelin and I like Black Sabbath.
Just coming from a musical family, I was always surrounded by it. On the car rides to school, my mom loved playing A Tribe Called Quest and the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band,' and then my dad was listening to a lot of Bill Withers and Stevie Wonder.
When I was a teenager, working towards dropping out of high school to starting to tour with bands, I'd drive around in my VW Bug every morning before school, very stoned listening over and over to Zeppelin. This song got to me because it just seemed mystical. There is something about those Celtic tunings that almost sounds Eastern. Somehow it would sweep me up into my own little trance-like state, like Sting with those shamans in the Amazon. But all I had was a bong and a Led Zeppelin cassette.
My father gave me one of those small, box-sized travel players when I was a kid and just a handful of records that he had. 'Zeppelin IV' was one. 'The Beatles at the Hollywood Bowl,' which is just about the worst record ever - you can't hear anything, just screaming in the background. I think there was maybe, like, an Animals record.
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
As for the way we play, we are as much like the Beatles as any American Jazz group is like any other.
Probably every band - you get back to like, The Stones are kind of the tough guys, Beatles are kind of psychedelic, Led Zeppelin was kinda mystical, The Who are kind of mods. You know, you just go right through. Everyone's kind of adopted their so-called persona or flavor if you will.
I wanted Season 2 of Luke Cage to be Ice Cube's 'Death Certificate,' or Fugees' 'The Score,' or Public Enemy's 'It Takes a Nation of Millions to Hold Us Back,' or my favorite, 'The Low End Theory' by A Tribe Called Quest.
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