A Quote by Michael Rapino

Our job is to build a company for the future that can meet the demands of the artist and fan of the future. — © Michael Rapino
Our job is to build a company for the future that can meet the demands of the artist and fan of the future.
Just believe in the future and direction of the capability that ARM has. Go deep and build a better future, both for the company and for its contribution to the industry. That's what I want ARM to do: invest more the future.
We spend our whole lives worrying about the future, planning for the future, trying to predict the future, as if figuring it out will cushion the blow. But the future is always changing. The future is the home of our deepest fears and wildest hopes. But one thing is certain when it finally reveals itself. The future is never the way we imagined it.
A company's culture is the foundation for future innovation. An entrepreneurs job is to build the foundation
Combating climate change is absolutely critical to the future of our company,Green Cooler customers, consumers-and our world. I believe all of us need to take action now. PepsiCo has already taken actions in our operations and throughout our supply chain to 'future- proof' our company-all of which deliver real cost savings, mitigate risk, protect our license to operate, and create resilience in our supply chain.
I love and revere the rich and proud history of America. And I am determined to take our best traditions into the future. But with all respect, we do not need to build a bridge to the past. We need to build a bridge to the future.
When my job was attempting to predict future economic developments for the Shell oil company, I was frequently reminded of an Arabic saying: 'Those who claim to foresee the future are lying, even if by chance they are later proved right.'
Our task is to educate their (our students) whole being so they can face the future. We may not see the future, but they will and our job is to help them make something of it.
Our planet's lands and oceans are already stretched to meet the demands of 7 billion people. The human population continues to grow. The search for sustainable solutions is an economic and a moral imperative if we are to create the future we want.
I think that our future has lost that capital F we used to spell it with. The science fiction future of my childhood has had a capital F - it was assumed to be an American Future because America was the future. The Future was assumed to be inherently heroic, and a lot of other things, as well.
The reason I love my job as education secretary is that it's all about the future. Everything I and my department do is about investing in the next generation, helping them to build on our generation's success, learn from our mistakes and giving them the tools to build a more successful and prosperous country.
To make the future demands courage. It demands work. But it also demands faith.
Suffering, it turns out, demands profound imagination. A new future has to be conjured up because the old future isn't there anymore.
The destiny of our land, the air we breathe, the water we drink is not in the mystical hands of an uncontrollable agent, it is in our hands. A future which brings the balancing of our resources-preserving quality with quantity - is a future limited only by the boundaries of our will to get the job done.
Because the artist deals in future realities, he always seeks improvements or changes in the existing reality. This makes the artist, inevitably and invariably, a rebel against the status quo. The artist, day by day, by postulating the new realities of the future, accomplishes peaceful revolution.
The obvious thing for the cavalryman to do is to accept the fighting machine as a partner, and prepare to meet more fully the demands of future warfare.
I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.
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