A Quote by Michael Rooker
Every time I was cast in a role, the director put a gun in my hand, so I figured I’d better learn how to use one. Then I found out I really liked it.
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I judge my film choices based on the director, and then I see how much the story has affected me when I read it or when I hear it in the narration. Then comes how important my role is in it, but primarily director, script, and then role.
[T]here is a vast difference in the attitude of a man with a gun in his hand and that of one without a gun in his hand. When a man does not have a gun in his hand, or a woman for the matter, he or she tries harder to use his or her mind, sense of compassion, and intelligence to work out a solution.
Corporations are legal fictions created by the State to shield executives from liability… It’s like if I had a little hand-puppet, and I went to rob a bank, and the hand-puppet held the little gun and told people to hand over all the money, and then the hand-puppet grabbed the money and ran out, and then I got caught and I handed the hand-puppet over the police and then the police tried the hand-puppet, put the hand-puppet in jail, and I get to keep all the money.
I get rewarded virtually every day with something amazing to see - whether it's a new shot, a miniature sweater, someone who's figured out how to make the hair look really great. We found a way to do the rain, finally. And mud. Make the trees. So I get to stay in constant motion as a director, you know, reviewing things. And there's a lot to review.
I liked animals better than people. That's one of the reasons I wanted to be a vet - then I found out that every pet had a person that owned 'em.
It's incumbent upon a director, if you want to pull the best performance out of an actor, you have to really work to who they are and how they work and not just expect them to hit a mark every time. You have to be very adaptable in the approach that you use with every different actor.
As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things.
I found out how I missed tennis through the period I didn't play. It was a difficult time to watch girls playing on the TV, me sitting on the sofa with the hand in a splint. I find out then how I love this sport.
Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.
I was thrown in the deep end at 18 when I got cast in a movie that I didn't audition for. The director just sort of found me and put me in a film, so the decision was really made for me.
Composition is what's similar between being photographer and director. As a photographer, you're sort of doing everything - you're directing the lights and you're framing and you're moving around. The hardest thing to learn as a director is how cameras have to move. You have to have patience, you have to learn how to look through the lens and then you have to learn to combine all of the compartments into one great image.
I never had any thought the whole week. I figured my caddie [Jerry Beard] knew the course a lot better than me, so I put out my hand and played whatever club he put in it. I'd say, "How hard do I hit it?" He'd tell me and I'd swing. The guys who come down here once a year and try to get smart with Mr. Jones' course are the dumb ones.
I'm not anti-gun or pro-gun, but if you put a gun in your hand, you feel different.
It's not that demanding. It's fun. That's one of the great things about being an actor. You get to learn all these things normal people don't get to learn. Going through hallways where it's basically like S.W.A.T. tactical stuff. Around hallways, how to cross, how to signal everyone. Then how to hold a gun, holster the gun - everything.
What I do is I get the sheet music and I put it out for myself and then I use a visual tuner to go through each note individually. And every time I make a mistake, I start the song over again, so I use the muscle memory of intervals and then watching that tuner, and then a lot of repetition.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
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