I don't approach a role by saying I'll be unsavory or unlikable. I think all the roles I've done have been very passionate people who go to absolute extremes to make their points.
An interesting parallel: MLK was targeted by J. Edgar Hoover, an unsavory character. I was targeted by the equally unsavory B. Hussein Obama.
I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
For every role, you have to always find a different way to approach it, one that's specific and suits what the key is. Every role's a mystery. I think if you know what it is, you probably shouldn't even do it.
I approach film no differently than I approach a role. I want to make sure the movie is right, the characters are right, I can really bring something to it as a visionary, a storyteller. It's great to point a camera, but can you tell a story?
I don't really agree with the role model thing. People are always saying that athletes shouldn't do X or Y because they are role models.
It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor.
Trump starts out by saying, 'We need to build walls; we need to do this.' He's very bombastic in what he's saying and his approach to the world.
I'm not saying that in order to be a great jazz musician you have to be a great classical pianist first. But I am saying that it makes things easier when you can get around the instrument, and you have some idea of how to approach the various hurdles.
Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
I approach every role from scratch.
When young ladies approach me and thank me for providing a conservative role model, it's all worth it. When the family members of law enforcement officers approach me and thank me for being a voice for their community, it is all worth it.
There are a lot of actors who are doing dream work where they focus on a role and try to bring it into their dreams. I haven't done that work, but I've always found that when I'm studying for a role, the work I'm doing somehow manages to enter my dreams, no matter what approach I take.
I still approach every film and role like it's my first.
I always approach every role through a lens of comedy.