A Quote by Michael Rooker

I've been in this business a long time, and I've worked with a lot of different directors now. It's cool to get the chance to work with the same guy several times. — © Michael Rooker
I've been in this business a long time, and I've worked with a lot of different directors now. It's cool to get the chance to work with the same guy several times.
A lot of TV is put together by teams, by writing staffs and several different directors. It's a great, very smart way to make television. It's worked for however long TV's been around.
Sami Zayn and I have had a long history. Same goes for Adrian Neville. I might not get the chance to work with them now, but Seth Rollins, Cesaro and Daniel Bryan, all those guys, we all spent a lot of time together wrestling all over the place.
Jerry 'The King' Lawler might be the most talented man I've ever worked with. He comes in, he's cool as a cucumber, and then all of a sudden, as soon as the camera comes on, it was a dream. It was an absolute dream come true to spar and share the same airspace with a guy I've respected for a long, long time.
Well, basically I have a lot of friends because I've been in the business a long time and worked with a lot of people.
I've worked with a couple of female directors now, and I think that they're amazing. As good or better than guy directors.
Yeah, I've worked with a couple of female directors, now, and I think that they're amazing. As good or better than guy directors.
I would like to believe that I am a collaborative actor. That's why I love all the directors I have worked with in recent times, as they are all collaborative directors. I think my constant desire is to keep bettering my own work. I don't get easily satisfied with my work; I am very critical of it. I learn from my mistakes.
I have worked with a lot of great directors but my favorites are all entirely different from one another. They don't go about it the same way.
I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.
He [Patrick Stump] is been a friend of ours for a long time, and when we were talking about working with different producers and songwriters for the record, Patrick's name came up. We were excited to work with him - he's a very gifted lyricist and songwriter, and a really cool guy and it was a pleasure to work with him in the studio.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I've worked with Steven Spielberg three times. I'm proud to say that I'm one of those actors that continues to get hired by the same directors.
There used to be this guy called Vinny who worked on the floor of the stock exchange, said one big investor who had observed the market for a long time. After the markets closed Vinny would get into his Cadillac and drive out to his big house in Long Island. Now there is the guy called Vladimir who gets into his jet and flies to his estate in Aspen for the weekend. I used to worry a little about Vinny. Now I worry a lot about Vladimir
There are plenty of directors who work with the same actors over and over, many more times than I have. Like I have worked with Bill Nighy more times than I have worked with Kate, but I'm not married to Bill Nighy.
I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week, because you get to see all these different personalities and see what you like dealing with better, as an actor.
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