A Quote by Michael Sam

I'm not afraid to tell the world who I am. I'm Michael Sam: I'm a college graduate. I'm African American, and I'm gay. I'm comfortable in my skin. — © Michael Sam
I'm not afraid to tell the world who I am. I'm Michael Sam: I'm a college graduate. I'm African American, and I'm gay. I'm comfortable in my skin.
I'm not afraid of who I am. I'm not afraid to tell the world who I am. I'm Michael Sam, I'm a college graduate, I'm African-American and I'm gay.
I am African-American, and I am a proud African-American. I just don't like to put myself in a box and say, 'I'm an African-American actress.' I am an American actress, and I can do any kind of role.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
I wish you guys would just say, 'Michael Sam, how's the football going? How's training going?' But it is what it is. And I just wish you guys would see me as Michael Sam the football player instead of Michael Sam the gay football player.
I'm Michael Sam, I'm a football player, and I'm gay.
I am an African-American woman of dark skin tone, and there are very specific roles that are usually given to African-American women of a darker hue. Let's start with 'Once on This Island': peasant girl. Let's go to 'The Color Purple': young girl, beaten. Let's go to 'Ragtime': Her baby's taken.
I am comfortable being gay. Most of my adult life, it's never been a secret. I knew I was gay when I was in high school. I am just fortunate I have lived in two of the most gay-friendly places in the world: New York and London.
I am looked at as an African American guy because of the color of my skin. I am darker.
This is America, where a white Catholic male Republican judge was murdered on his way to greet a Democratic Jewish woman member of Congress, who was his friend. Her life was saved initially by a 20-year old Mexican-American gay college student, and eventually by a Korean-American combat surgeon, all eulogized by our African American President.
With domestic adoption, you get a form, you fill it out, and there are these boxes: African-American, African-American and Hispanic, and you check the boxes that you're comfortable with. Race is completely open in that regard.
There are so many slices to the African-American experience. I mean, I have the whole ghetto pedigree. My mom was in jail, I didn't have any money, and I didn't go to a fancy college. But that's not the type of story I want to tell or feel the need to tell on film.
I have to throw in on a personal note that I didn't like history when I was in high school. I didn't study history when I was in college, none at all, and only started to do graduate study when my children were going to graduate school. What first intrigued me was this desire to understand my family and put it in the context of American history. That makes history so appealing and so central to what I am trying to do.
Today, the Americans have developed a new culture in science based on the slavery of graduate students. Now, graduate students of American institutions are afraid... He's got to perform. The post-doc is an indentured labourer.
Really, the potential for, first of all, any college graduate today is enormously good. These are good times for anyone with a college degree today, particularly African Americans. With a college degree today, you really breach the unemployment rate.
Anytime an African-American writes an unconventional novel, the writer gets compared to Ellison. But that's O.K. I am working in the African-American literary tradition. That's my aim and what I see as my mission.
I've had some Democrat African-American leaders tell me they're really not all that comfortable with Obama as the lead at the MLK festivities 'cause he's not down for the struggle. He does not have that in his roots.
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