A Quote by Michael Schenker
I view life as a learning experience. It is not so much all about music; it is about what happens when you are doing the music.
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The two most important things is, one, the music in my life, and the family. It's somehow connected because music is about human beings, about love, about hate, about everything that happens in life.
I met a lot of label people at the start of doing this music thing, and I just realised soon that it wasn't much about music but more so about their paycheck at the end of the day.
Mick Jagger has been an idol of mine since I was 10 years old. Through his music, he has taught me so much about rock n' roll, but also about the blues and about the experience of live music, going to several Rolling Stones shows, growing up.
Fundamentally, if there is any secret, it is about the need to find that peace and calm in our personal space with music, as most of 'learning music' is about listening to music and practicing over and over again.
That's always stuck with me, with music. I've never really gotten jaded about it. I've always loved music for the sake of doing it, and the longer I do it, the more I like it. Hopefully, I'll be able to have that same point of view in this business, or at least with doing this.
In the music business I am surrounded by people who don't view music as a sacred voice. They view music as something that they can use and exploit, often times lazily. They have no sense of the tradition, they have no sense of honor about those who came before and charted the path.
Sometimes I get, "Have you ever thought about doing real music?" I like to think the music I do is real, it just happens to be funny.
I have so much energy. I train, I travel, I'm learning about music and fashion, reading a lot. I don't want to miss anything. I want to experience everything.
In the point of view of my personal feelings, I love the music as well as the cinema, but the future of a trumpet player - in the money point of view, but also any point of view - is very short on expectations. The life of a moviemaker can be glorious and wonderful. It can put your life in the best of possibilities. I decided to forget music. Not forget, because this is impossible, but to work in cinema, and just to be someone who loves music, and who tries to make music with his films.
Even if I don't think in visuals about the music while I'm doing it, after the music is finished, it could be great to incorporate that in the live show or doing my own music videos.
I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.
I'm learning more about life when I'm playing too, and writing music. I'm learning more about life, the connection.
History is not just about dates and quotations. And it's not just about politics, the military and social issues, though much of it of course is about that. It's about everything. It's about life history. It's human. And we have to see it that way. We have to teach it that way. We have to read it that way. It's about art, music, literature, money, science, love - the human experience.
The only place where any artist feels liberated is doing independent music. I have had great experience making music for The Dewarists and Coke Studio. No actor, producer or label is telling me what to do with my music. I'm the boss. It is my life, my expression.
Music therapy, to me, is music performance without the ego. It's not about entertainment as much as its about empathizing. If you can use music to slip past the pain and gather insight into the workings of someone else's mind, you can begin to fix a problem.
....the popular music of Jamaica, the music of the people, is an essentially experiential music, not merely in the sense that the people experience the music, but also in the sense that the music is true to the historical experience, that the music reflects the historical experience. It is the spiritual expression of the historical experience of the Afro-Jamaican.
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