I personally think the best ideas for TV shows - at least comedies - are very low-fi ideas. High concepts often sell pitches in movies and TV, but, especially in TV when you're talking about hopefully a 100 or 150 episode proposition, those concepts just burn off, and then you're stuck with nothing.
I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
In terms of writing and developing, TV is very open because TV needs stories. They need new pitches, and they need new ideas. They don't always take the risk for new ideas, but they are certainly open to it. They can't have enough people come in and pitch to them. It doesn't matter how they look or what gender they are.
Most of the time, I don't think movies of TV shows are a great idea. It's worked a few times, but usually, I think that what's on TV works on TV.
My focus is films, and 'Angela's Eyes' is one of those TV projects that has some good TV concepts behind it and good writing.
I do think there's probably a little more opportunity to direct in television, because there are just so many TV shows. In movies, it still feels harder to break in. I do hope that's shifting. The difference between TV and miniseries and movies is also diminishing.
Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.
TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.
I was never a western guy, but I happened upon 'Tombstone' one day on TV and was really sort of taken with it. It's one of those movies that, if it's on TV, I can't turn it off. I just have to watch the whole thing.
I have not watched the TV show. I do not generally watch TV sci-fi drama shows. They make me itch.
A man demonstrates his rationality, not by a commitment to fixed ideas, stereotyped procedures, or immutable concepts, but by the manner in which, and the occasions on which, he changes those ideas, procedures, and concepts.
The only difference in reality TV and the other TV is that the scriptwriters for reality TV are not union. I have been on reality TV shows. Believe me, my friends: It's not just improv and whatever happens when the cameras are rolling.
I get very, very bored by TV series or TV movies. But when you see great acrobats on TV, my eyes stick to the screen. I can watch them forever.
Dan Harmon has this idea that characters on TV are allowed to talk about their favorite movies and TV shows and songs.
I have 50 rejected TV show ideas. I think when I hit 100, then I'll feel like I really started to make it.
I do remember the moment when, as a child, I realized that the things we call 'TV shows' are really just the stuff that gets put between commercials. Later, I came to see that the kinds of things that get on 'free' TV are shows that help sell products.