A Quote by Michael Scott

Research is always the best part. As we dug deeper into the history and mythology behind each of the hallows, we discovered more and more stories - some of them deserving of novels in themselves.
I have always been interested in mythology and history. The more I read, the more I realized that there have always been people at the edges of history that we know very little about. I wanted to use them in a story and bring them back into the public's consciousness. Similarly with mythology: everyone knows some of the Greek or Roman legends, and maybe some of the Egyptian or Norse stories too, but what about the other great mythologies: the Celtic, Chinese, Native American?
Historical novels are, without question, the best way of teaching history, for they offer the human stories behind the events and leave the reader with a desire to know more.
My specialty is mythology.There are artifacts like the hallows scattered through just about every mythology. However, what makes the Celtic hallows so interesting is that they are a self-contained group of objects.
I tend to be more of a novel writer. In fact, some of my novels started out as short stories, and I just got carried away! I think some of my best writing is in the short story form, but novels come more naturally to me.
The best angles and the best stories always hinge on reality. Throughout the history of WWE, all the best storylines have a little touch of what's real behind them.
The deeper I go into mythology, the more I find. I originally did five 'Percy Jackson' books. I thought that would cover Greek mythology and I couldn't have been more wrong. It's ever-expanding.
As to the "traditional filler of twenty-first century realist fiction," maybe that is something I avoid. I don't relate to standard psychologizing in novels. I don't really believe that the backstory is the story you need. And I don't believe it's more like life to get it - the buildup of "character" through psychological and family history, the whole idea of "knowing what the character wants." People in real life so often do not know what they want. People trick themselves, lie to themselves, fool themselves. It's called survival, and self-mythology.
The more that you travel the more you get the sense of the word as a larger place and the more you get a sense of the variety of history and mythology. And when you know about these things you can incorporate them into what I feel is a more rich and more large tapestry of fantasy.
More and more of our finest actors are finding room for themselves in the world of television - but I truly believe it's because some of the best stories are being told there.
One of the more interesting challenges I face when doing research for my novels is to trace the lives of women who are vital to the narrative and try my best to give them back their voices.
I'm always writing across the same themes. But with short stories, I'm doing something different than with novels. In some ways, they're coming from a much deeper place.
I want women -- and men -- to feel empowered by a deeper and more psychotic part of themselves. The part they're always trying desperately to hide. I want that to become something that they cherish.
Remember on this one thing, said Badger. The stories people tell have a way of taking care of them. If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive. That is why we put these stories in each other's memories. This is how people care for themselves.
I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing. It has always been clear to me that the stories of each other's lives are our best textbooks.
Discovery still happens in the writing. You start in nonfiction with a whole lot more going for you, because all the discovery isn't waiting to be made. You've made some of it in the research. As you get deeper into a piece and do more research, the notes are in the direction of the piece - you're actually writing it.
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