A Quote by Michael Scott

They [my characters]speak to me all the time! In fact some of them never shut up! — © Michael Scott
They [my characters]speak to me all the time! In fact some of them never shut up!
Stand up, speak out, and be bold. Screw political correctness. Never let them tell you to sit down and shut up.
[NFL fans] wish they'd shut up and play football, and I think the vast majority of people, "Shut up and act! Shut up and sing! Shut up and star in your TV show! Just shut up and do what you do, but shut up!" I think they're wearing out their welcome.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
Seriously, these days I tend to shut up in terms of external analysis and DO try to let things speak for themselves, while still trying to get some depth into them.
I'd like to work with some of the videogame companies for the simple fact that they obviously need some sort of writer's help. I play videogames, and lately it's hard for me to enjoy them because I'm spending all my time cringing at the corny dialogue, thin characters, and glaring plot holes.
A lot of people, when they talk to me, I can't wait for them to shut up. Like, shut up. you're a moron. I have nothing to say, you know?
We, as a people, we gotta know when it's time to speak up and when it's time to shut up.
It's your job to come up with compelling characters who speak to an individual authenticity. If I'm not interested in the characters, I can't go on. I have to be fascinated by them.
There is a time to speak and a time to listen, and sometimes people need to shut up.
It's in the silence that I'm most able to hear the tiny voices that tell me I'm not good enough, smart enough, or cool enough. I try to hear them for what they are: my own creations. Sitting with them, letting them speak, hearing them out, and giving them back the silence that I'm now sitting in has shown me that, quite often, they shut up.
I think politicians in America don't speak up because their local lobbyist has them shut up.
Part of the core of my system, is a way of trying to give the characters more control. If I'm practicing making up what the characters will do, it's never good. In fact, when I catch myself doing that, I try to get rid of that section, and try and let them start making the decisions.
When I say myself, I don't mean just as a woman of color, as a girl who's growing up in the Bronx, as people growing up in some way economically-challenged, not growing up with money. It was also even just the way we spoke. The vernacular. I learned that it's alright to say "ain't." My characters can speak the way they authentically are, and that makes for good story. It's not making for good story to make them speak proper English when nobody speaks like that on the playground.
I'm trying to shut up and let my angels speak to me and tell me what I'm supposed to do.
Some people tell me they would be afraid of my characters, but I tell those people [that] they meet these characters all the time. They just don't care about them when they meet them, at the gas station, the car wash, the post office even.
There are people who are born deaf and grow up deaf who don't speak at all, and some of them have told me that they resent a little bit that I do speak. But, you know, I have to be myself. I have to do what I'm comfortable doing.
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