A Quote by Michael Shanks
It was nice, though, to have the long term benefit to be able to pare away those things and eventually make the character my own and put my own unique stamp.
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But the truth is the meritocracy is a lie. Those born into wealth and privilege will always be able to game the system for their own benefit and their children's own benefit.
Even when I'm writing in character I'm normally still writing about things I know or things that have happened to me or using that character to start an exploration of my own consciousness. Really though, any character that you can examine is just an examination of a part of your own consciousness.
I make skeletons that are able to walk on the wind, so they don't have to eat... eventually I want to put these animals out in herds on the beaches, so they will live their own lives.
The destructive character knows only one watchword: make room. And only one activity: clearing away. The destructive character is young and cheerful. For destroying rejuvenates, because it clears away the traces of our own age; it cheers, because everything cleared away means to the destroyer a complete reduction, indeed a rooting out, of his own condition.
For me, being part of the WTA tour is a privilege. Every day I wake up, it's a privilege to be able to go outside and do what I love. It's a privilege to be able to make my own hours, even though they're long, but I make them.
I don't care if it's somebody else's song. Most of the time, you'll find that I'll put my own stamp on it. But I started writing more because, you know, it's easy to regurgitate what somebody else is doing, but it's exciting to be able to come up with your own writing.
I definitely wanted to pay homage to what he did and use his performance in the first one as a foundation. But, I had to make it my own. I couldn't sit there and try to imitate Michael Clarke Duncan. I think that would have been disastrous. I had to make it my own. I tried to take as many nuances that he had with the character and utilize them as best I could, while creating a character that was unique to me. That's going to happen, no matter what.
Even though other people wrote my songs I put my stamp on them. I have a connection, but there is no truer connection than an artists and their own song.
Maybe this is all a bit of a myth, a willful desire to give each place its own unique aura. But doesn't any collective belief eventually become a kind of truth? If enough people act as if something is true, isn't it indeed "true," not objectively, but in the sense that it will determine how they will behave? The myth of unique urban character and unique sensibilities in different cities exists because we want it to exist.
I think your text [script] is everything; it's what informs you; it's what gives you the given circumstances. Then you take that and you add your own creativity and your own spin on things and you make it personal. That's what makes that character and that text unique to you, when you personalize it. I think that's where your job as an actor comes in.
People who think they are free eventually end up slaves to their own desires, and those who give their freedom away to the only One you can trust with that freedom eventually get it back.
I focused my mind and energies on short-term Trump problems, which allowed me to avoid thinking about my own long-term Trump problem of having given him the benefit of the doubt for more than a decade, despite having many reasons not to.
Faced with crisis, the man of character falls back on himself. He imposes his own stamp of action, takes responsibility for it, makes it his own.
How many times can you play an action character, or a quirky romantic? Every actor has to find his own way to make each character unique.
I'm my own boss, my own editor, my own shooter, my own writer, everything. This is all stuff I learned through trial and error... failing at a lot of things has taught me how to succeed at them eventually... you roll with the punches.
I'm such a lucky guy. I've been able to make my own decisions for my own life for the last fifty years...or sixty ... well maybe not sixty. Even though I think I was making my own decisions at the tender age of eight.
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