I don't pick my roles based on what clothes I have to wear. I pick roles because of the character I have to portray, and the public have enjoyed seeing me in those roles.
Part of the job is knowing how to use this medium in the most effective way for the story you're telling, so for me, to pick a genre I want to do is a little harder. I would say it's more about thinking, 'What genre will work for what kind of story?' And then, when all of that comes, I embrace it and run with it.
It's so funny: I sort of fell into genre roles, but I'm not really a genre guy.
If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
No, Not even remotely...Because I don't care. I don't pick roles based on how famous they are going to make me, I pick roles based on how they're going to inspire me intellectually.
We are in an industry where, unfortunately, there is very limited scope for female-oriented roles. If we don't have options, how can we pick and choose roles?
I'm open to doing any kind of role and any kind of genre as long as it's interesting and as long as I feel it could be a great character to play. I never take into my own personal opinions or my own public image into account when I chose movie roles.
So now I feel I'm lucky in the respect that I can sort of pick a little more carefully, which is tricky because as a black actress, there aren't that many roles to pick from.
I don't believe a role can be written keeping in mind some actor. Even if such roles exist, I don't pick them because I generally choose roles that I think will suit my image.
I'd have to say that my favorite kind of film is serious comedy. Comedy with serious underpinning. 'Little Miss Sunshine' is like that. That's my fave genre, if I had to pick one.
I know, I pick up the roles other actresses don’t want [laughs]. When there’s movies where there are two sisters and one’s the uglier sister, there’s always no actress that wants to go for it. I’m like, why not! They’re the best roles!
But what I think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.
I think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.
I've been singing one kind of genre for a long time but have always tried to push to new auras about picking new songs or the same kind of genre but trying to sing it differently, treating it differently.
Pick-a-lock, Pick-a-lock, you'll regret the day, When you took a mouse thief and locked him away, Silly cat, look at that, it's two for one, A thief and a warrior, by dawn will be gone.
The kind of roles which you get, people identify with your roles, and it then leads to the kind of brands you get.