A Quote by Michael Shannon

I enjoyed living in Chicago and doing plays for little or no money. I never actually thought that I would leave Chicago, originally. I wasn't one of those people that had a plan to pack up the van and drive out to Hollywood. I didn't want to.
I originally wanted to stay in Chicago as long as I could. I love Chicago. I don't love L.A. I don't want to leave Chicago.
I grew up in Cleveland and started doing plays in high school. And I went to the University of Illinois, and I majored in drama. And after school, I went up to Chicago, because I didn't really know anybody in New York or Los Angeles, and I knew people who were doing plays in Chicago.
At some point, when I was in Chicago for maybe eight years, I never thought I would leave Chicago. I wish it would have happened that way, but everything happens for a reason.
We had to get out of Chicago so quick. Election night happens, suddenly I'm talking to Ben Bernanke and Hank Paulson and trying to figure out whether the world's going to fly apart, and Michelle is trying to figure out where the girls are going to go to school. And we pack up and leave and basically our house in Chicago just became like a time capsule. My desk in my home office still had stacks of articles and bills and stuff from 2008.
I learned that Chicago lunches are terrible. If I was a Chicago student, I would ask my mom to pack a lunch.
Chicago still remains a Mecca of the Midwest - people from both coasts are kind of amazed how good life is in Chicago and what a good culture we've got. You can have a pretty wonderful artistic life and never leave Chicago.
Chicago still remains a Mecca of the Midwest - people from both coasts are kind of amazed how good life is in Chicago, and what a good culture we've got. You can have a pretty wonderful artistic life and never leave Chicago.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
I'm impressed with the people from Chicago. Hollywood is hype, New York is talk, Chicago is work.
When I was in Chicago, I was working as a carpenter while I was doing plays. I thought it'd be a fun set construction job, but it turned up to just be a straight-up factory.
I want to do 'Chicago P.D.' for as long as it's on the air. I love the show; I love the Dick Wolf family. I think he's created something genius with the crossovers and having everyone on these shows inhabit the same universe as far as 'Chicago Med' and 'Chicago Fire' and 'Chicago P.D.'
I actually started working in Chicago while I was still a student; I did the Chicago premiere of 'The History Boys' at the end of my junior year. I had come to Chicago for Northwestern University. I didn't quite know about the theater community, and what I did know was mostly the improv.
We've got a lot of love from Chicago, you know we've been selling out big venues in Chicago that other people don't sell out. Our music is something that's a bit different you know from what's being publicized and that's going against everything else coming out in Chicago.
I swore I'd be in Chicago tomorrow, and made sure of that, taking a bus to Chicago, spending most of my money, and didn't give a damn, just as long as I'd be in Chicago tomorrow.
I love Chicago. It was an awesome place to grow up. It's a big city but it doesn't feel like one. I can't imagine that if I had kids I would raise them anywhere else besides Chicago.
Chicago PD has a rule that if you work in Chicago you have to live in Chicago. Some areas don't have that rule.So oftentimes you get people from different environments that get thrown into environments with people that they never spent time with before in they life. On a daily basis or in their personal life. The only access they had to these type of people was through the media.
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