A Quote by Michael Skolnik

I wanted to tell stories about people who didn't have the chance to tell their own. — © Michael Skolnik
I wanted to tell stories about people who didn't have the chance to tell their own.
I had this thing where I only wanted to work on original material, no adaptations, and obviously, that changed. I really wanted to have the resources and have the space and the time to tell stories that I've really cared about. I've kind of changed my approach, but I've gotten to do that, to tell stories that I really care about.
Even though I was super personal with 'American Teen,' I want to tap in and not just tell my own stories but tell the stories of other people - so that I can help as many people as possible.
You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.
I always assumed people wanted to hear me tell stories, but then I had 'The Sunset Tree.' It turned out, my own stories were the ones that registered with people the hardest.
What does it matter, if we tell the same old stories? ...Stories tell us who we are. What we’re capable of. When we go out looking for stories we are, I think, in many ways going in search of ourselves, trying to find understanding of our lives, and the people around us. Stories, and language tell us what’s important.
The stories we tell about each other matter very much. The stories we tell ourselves about our own lives matter. And most of all, I think the way that we participate in each other's stories is of deep importance.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
We tell stories. We tell stories to pass the time, to leave the world for a while, or go more deeply into it. We tell stories to heal the pain of living.
AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?
I tell stories about the people around me, I tell stories about me. I tell stories about my hood.
I'm very grateful to be in a position now where I have a lot more control to tell the stories I want to tell. I feel no obligation to tell any one story. I will tell you my interest mostly lies in telling stories about empowered women, but I don't feel it's an obligation. But I do feel like I am servicing a voice.
Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.
I think a lot of things are written from experience, but then you become a writer and talk about other people's experience and you tell stories. I mean, you can't just tell your own story all the time.
With the success of 'Spiderwick,' it's allowed me to be able to have the freedom to really be able to tell the stories that I really wanted to tell, that I've always wanted to tell.
The stories we tell each other and the stories we tell about heroism, about magic, about faith - those things say a lot about who we are and the kind of lessons that we wanna convey to our children.
Every woman should have a daughter to tell her stories to. Otherwise, the lessons learned are as useless as spare buttons from a discarded shirt. And all that is left is a fading name and the shape of a nose or the color of hair. The men who write the history books will tell you the stories of battles and conquests. But the women will tell you the stories of people's hearts.
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