A Quote by Michael Snow

Say you are doing a portrait and the face is perfectly done, but the rest of it is done in brushstrokes. That is sort of like what might happen in the films. — © Michael Snow
Say you are doing a portrait and the face is perfectly done, but the rest of it is done in brushstrokes. That is sort of like what might happen in the films.
When you are not the doer how can the attachment happen? You do a small thing and you become attached. You say, "I have done this." You would like everybody to know that you have done this and you have done that. This ego is the barrier for the supreme understanding. Drop the doer and let things happen. That's what Tilopa means by being loose and natural.
I would say my favorite was just the beginning of the movie like doing all the rehearsal stuff. It's been amazing to see the rest of it happen but it happens so piecemeal. And Edgar sort of has the whole movie edited in his head already, so we're just sort of matching to what he has.
My painting and writing has always been parallel. That's why probably where my colleagues have done 300 films, I have done only about a 100, out of which I'd say at least 30-35 films I am even proud of.
There are a lot of period movies where they say, 'This is a portrait of Lady Whatever.' And it's done in like a 1950s or 60s style.
When I started to watch some of the films I'd done, I realized I was doing movies that I might not actually want to see.
I bobbed and weaved through my career. And in hindsight, though I'd like to say it was a plan - it was not - the bobbing and the weaving gave me a broad base from which to become an executive who could say, 'OK, I've done this, and I've done this, and I've done this.' And nobody could BS me, because I'd done most of it.
If I hadn't done 'Shadowlands,' which was a sort of emotional release for me as a person as well as an actor, it might have been less easy to have done 'George III.'
The elder who is eliminating what time has done to the face, what life has done to the face, is making a statement for others to see: This is the way to be a good old person - it is to defeat this body that is doing things to you. Because you haven't changed. Your body's changing.
The Supreme Court has held that code is speech. And it doesn't matter that it's done on a computer or done face to face or done in a newspaper, reporting the facts of the world is protected speech.
That which is good to be done, cannot be done too soon; and if it is neglected to be done early, it will frequently happen that it will not be done at all.
If you want to conquer pride, do not say that your deed was done by your hands and might; say that with God's help and guidance it was done, not by my power and efforts.
To claim - to claim repeatedly - that you are innocent of what it is claimed by others that you have done, or might have done, or are in some quarters strongly suspected of having done, is never enough unless others, numerous others, will say it for you.
I've done so many genres of films in my career; I've done 91 films so far. But never a thriller. That's how 'Oppam' happened.
Sometimes I catch myself doing something that I've already done. The more I've done, the more that's likely to happen. Then I just throw it away. I wait until I've got the right way of getting a thing done, which means my songwriting proceeds at a very slow pace. But it's the only way I can really work.
I've done 21 films in eight years, and I've said 'No' more times than I've done films.
I was in school - I was a good learner; if I wanted to get something done, I could get it done. I was lazy, though. I was always, like, sort of an outcast. And when I got home, I was always doing music, but when I was doing music, no one was there to judge it, you know? It was just me in my bedroom. It gave me freedom and made me happy.
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