A Quote by Michael Socha

I was never on the side of the teachers at school. Even though I put all the work into getting the main role in the end-of-year musical when I was 11, they didn't give it me, even though they knew I should have had it. That sort of drove me into am dram and getting the main part in another production. And I did.
I thought I was a hippie, bro. I wore Birkenstocks every day. I went to a Christian high school, so I was pretty funky. The teachers didn't give me a hard time, though, even though I was totally way out of line in terms of my dress code.
Even though I had a good income from my lectures, no one would give me a loan. The insanity almost drove me to sympathize with the feminist movement.
I attribute my entire football career, as far as getting me started, getting me interested, keeping me that way was my father. He went to every game even though he was crippled and wasn't real healthy.
It was great and I had fun that day even though I was so sort of pleased when it was over to get through it. I didn't realize at the time that usually they screen test a number of actresses for the part, but they only tested me. So I think they knew then they wanted me to do it, and I wish they told me because I wouldn't have been so nervous. That was quite funny.
The work-life balance is a harsh reality for so many women, who are forced every day to make impossible choices. Do they take their kids to the doctor...and risk getting fired? Do they work weekends so they can afford to send their kids to better childcare...even though it means even less time with their families? Do they take another shift at work, so they can pay for piano lessons for their kids...even though it means they have to stop volunteering for the PTA? It just shouldn't be this difficult to raise healthy families.
The editor, Stephen Segal, actually called me with the idea of creating an accordion book [ "The Thorn & The Blossom"], and asked if I could write a story for it. I was so intrigued! I immediately knew that it had to be a love story told from the points of view of the two main characters. Right away, I started working on a proposal. And once I had my main characters, Brendan and Evelyn, it was as though they started telling me their stories.
I was at a school in England, a prep school, from the ages of 8 and 13. And every play they did was a musical. Parents love musicals. And I don't sing. It was driving me crazy. 'We're doing 'Macbeth.'' 'Yes!' 'The musical!' And I was always in the chorus, because of course, in all the main parts, you had to be able to sing.
I was at a school in England, a prep school, from the ages of 8 and 13. And every play they did was a musical. Parents love musicals. And I don't sing. It was driving me crazy. 'We're doing 'Macbeth.' 'Yes!' 'The musical!' And I was always in the chorus, because of course, in all the main parts, you had to be able to sing.
Had I had another year, I think I would've beaten [ Harry Carpenter] - and Larry Holmes even said that himself; that if I'd had another year to get ready I'd have beaten him. Me and he are good friends today though, and that fight was a great moment for me. I lost, but then I had to move on and get on with my life.
But even though all this was going on at home, if someone had tried to take me away and put me in a children's home, I couldn't have handled it. Even though my mother was very brutal, it was my home.
People decided that I was the frat guy, even though I've never been inside a fraternity, or the guy who beat them up at school, even though that wasn't me at all.
When someone is missing the really hard thing is that you never really do give up hope, even though the inquest says that she is dead, even though right from the beginning we already knew that we wouldn't see her again.
I had an extraordinary belief in myself. For years people told me to give it up and even though I was poverty- stricken, I never thought I should give it up.
At that point I ought to have gone away, but a strange sensation rose up in me, a sort of defiance of fate, a desire to challenge it, to put out my tongue at it. I laid down the largest stake allowe-four thousand gulden-and lost it. Then, getting hot, I pulled out all I had left, staked it on the same number, and lost again, after which I walked away from the table as though I were stunned. I could not even grasp what had happened to me.
Even though I had a great deal of respect for children's TV and theatre, it wasn't my intent to specialize solely in that area. I did indeed want to work on shows like "Sesame Street" and I am honored to be even a small part of that legacy, but I also wanted to do characters that had wider vocabulary and satirical humor.
I started to learn Greek when I was in high school, the last year of high school, by accident, because my teacher knew Greek and she offered to teach me on the lunch hour, so we did it in an informal way, and then I did it at university, and that was the main thing of my life.
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