A Quote by Michael Stean

Never in the history of chess have so many moves been repeated so often so quickly by so many people who didn't really understand them. — © Michael Stean
Never in the history of chess have so many moves been repeated so often so quickly by so many people who didn't really understand them.
Never in the history of the world have so many people been so rich; never in the history of the world have so many of those same people felt themselves so poor.
So many of my friends are actors, and so many of them are great, and they're losing jobs to people who have never been in plays before; I understand that sometimes I'm part of the problem. But I'm trying to figure out how to balance it.
I haven't played a chess match for several decades. At one point I lost most of my chess games. Then I realized many of my competitors were memorizing the best moves and I was unwilling to do this.
I'm a storyteller; that is what I do. And I'm particularly interested in history; and in history of a certain era. But what is interesting for me is how many, how many things you see repeated.
I don't especially like to travel, not the way many people do. I know many people that love to go to far-off and different places, and I've never been like that. I seem to get homesick as quickly as a child.
If you look at the democratic process as a game of chess, there have to be many, many moves before you get to checkmate. And simply because you do not make any checkmate in three moves does not mean it's stalemate. There's a vast difference between no checkmate and stalemate. This is what the democratic process is like.
Im a storyteller; that is what I do. And Im particularly interested in history; and in history of a certain era. But what is interesting for me is how many, how many things you see repeated.
I've been playing piano my whole life but I'd never tried to understand how compositions are made really. Try to imagine if you'd loved paintings your whole life but had never painted one. My aspiration now is just to understand. I don't have professional pretensions. I've learned so much. So many things I've been doing in the visual, two-dimensional painting world parallel many of the inner working of music - how intervals resolve into each other, harmonic rhythm, tonal things - there's a whole vocabulary that overlaps. Sometimes people see pianos in my works - that I never think.
I love the competitive aspect of it [business]. It's like playing chess. Why do people play chess? Knowing the realm of moves? Even when you get to be a chess master, there are other chess masters you want to beat or outperform. And to me business is just a sport that I love to compete in; a continuous intellectual challenge that really motivates me.
As a community organizer who holds a degree in history, I understand the fascination with history. However, there is a tendency for many of us to get engrossed in the recounting of our history, which often amounts to purely intellectual activity without material action.
The Chinese government wants me to say that for many centuries Tibet has been part of China. Even if I make that statement, many people would just laugh. And my statement will not change past history. History is history.
Never before in the history of the planet have so many people, on their own, had the ability to find so much information about so many things and about so many other people.
... far more people make a living as professional chess players today than ever before. Thanks partly to the availability of computer programs and online matches, there has been a mini-boom in chess interest among young people in many countries.
When Grand Masters play, they see the logic of their opponent's moves. One's moves may be so powerful that the other may not be able to stop him, but the plan behind the moves will be clear. Not so with Fischer. His moves did not make sense - at least to all the rest of us they didn't. We were playing chess, Fischer was playing something else, call it what you will. Naturally, there would come a time when we finally would understand what those moves had been about. But by then it was too late. We were dead.
Character is too deep to catch in a single storyline. What really moves us - what makes the great stories, and there aren't so many of them - is the inevitability of character. The destiny. All we see is the arc. We'll never penetrate the secrets of the living, let alone the dead. I've spent my whole life trying to understand people, and all I've learned is that the deeper we look, the greater the mystery. At the core, each person is unknowable. Maybe that's the soul? I have to respect that. The mystery, in fact, is what I've loved the most, in people and in stories as well.
Many, many, many small moves of many kinds can bring a way to manage change. The theory can come later.
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