A Quote by Michael Stipe

I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die.
I was in Ann Arbor, and I was told that this singer-songwriter guy wanted to meet me. It was Kurt Cobain. Nirvana had just made 'Bleach.' Kurt interviewed me on a college radio station. It was very strange. He was a fan of mine, and he gave me his album.
Collaboration to me is... my favorite collaboration in the theatre is the collaboration between the actors and the audience because it's just that thing that happens when the only thing left that is left on the human scale is that human beings come to look at other human beings act out stories.
Life is a big collaboration - and when you're tackling something that is painful and troubling and is causing you such desperate grief that you think life's not worth living - you need to reach out. To people who will reach back.
Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
To make a collaboration succeed there can be no visible contusions or abrasions. For the collaboration to succeed, the relationship must be nourished and survive. That is absolutely essential for a collaboration to succeed.
I feel it's such a tragic thing [Kurt Cobain's suicide]. Here is a guy, a young guy, that had everything in his hands. He could have had a great life. He had a wife, he had a child, he had a fantastic career. He was important to a generation. And for him to do that - I didn't like that. I thought that was just wrong.
It's always a fun collaboration with my brother. I'm very fortunate to be able to work with him. There's an honesty to collaboration. There's a lack of a gender or ego in our conversations. And so you can really throw anything around.
I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone.
I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.
I love collaboration of all kinds, and I love the way that collaboration pulls me into directions I wouldn't go in if I was working on my own.
Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
My girlfriend is a fashion designer. She has her own company called Rachel Antonoff. She is doing a collaboration with Urban Outfitters right now, a shoe collaboration with Bass. She sells to Barneys, stuff like that.
I don't believe in collaboration necessarily for collaboration's sake, but I will do it, and sometimes it's great.
I trust my work. It's a collaboration with the material, and when it's viewed, it's a collaboration with the world.
Music is really important to me; Kurt Cobain is important to me. Hearing Nirvana was pretty life-changing.
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