A Quote by Michael Stipe

I don't find R.E.M. to be nihilistic. There is a constant undertone of joyous optimism. I'm not going to kill myself to Patti Smith or R.E.M. — © Michael Stipe
I don't find R.E.M. to be nihilistic. There is a constant undertone of joyous optimism. I'm not going to kill myself to Patti Smith or R.E.M.
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
The commercial space industry owes a huge debt to Patti Grace Smith. There might not be a commercial spaceflight industry were it not for Patti's leadership.
I love to sing old Motown songs to myself, or some Patti Smith Edith Piaf or Billie Holiday. That gets me in the mood for singing.
When I was 15, 16, I started going to a studio and my biggest inspiration were women, like Lola Flores from Spain or Janis Joplin or Patti Smith.
I loved 'Just Kids' by Patti Smith.
I've got the biggest crush on Patti Smith.
I was pretty taken with Patti Smith, she was my heroine.
I quickly realized that Patti [Smith] was somebody very special.
Someone who's a great hero of mine and has become a friend is Patti Smith.
I'm interested in Patti Smith and women who were iconic in a very hedonistic way.
I just wanted to be Patti's [Smith] messenger and get her word out there.
Punk-rock records came out and you bought whatever you could find. But Devo didn't happen for another three years. Sex Pistols didn't tour the States until '78. At that time, for me, it was really about CBGB, Patti Smith, Talking Heads, the Ramones, and Television.
Sexual intercourse... a joyous, joyous, joyous, joyous impaling of woman on man's sensual mast.
I was making a film [Dream of Life] about Patti [Smith], but I was taking pictures, too.
Fashion's been really good to me. It financed Patti Smith: Dream of Life.
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