A Quote by Michael Strahan

This acting's serious! And I really respect those actors. It's a tough business to be able to be something you're not and be natural and convince people on camera. — © Michael Strahan
This acting's serious! And I really respect those actors. It's a tough business to be able to be something you're not and be natural and convince people on camera.
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
In films, you are a commodity. You are a look, something that the camera really likes, something that has struck an audience in a certain way. It's not really so much about transforming yourself the way actors do onstage. I think there's a difference between the skill of acting in movies and onstage.
I feel so sorry for younger actors who aren't able to have the opportunities that I had, starting out in repertory theatre. It's really tough on young actors now.
I still enjoy acting. I love the moment in front of the camera, but it's all the other moments that I don't enjoy. The 'business' aspect of it, the gossip. I really dislike about 99% of what I do, but I like that 1% when I'm on camera.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
I have to be honest about this: I wouldn't tell a lot of kids to go and be writers. It's a tough, tough business. It's not a business. It's more like a tough road. It's a really tough road.
I started to respect older actors when I was young and then contemporary actors later on. Then I learned respect for comedy. When I was first doing theatre, I thought of it as just a means to become Sarah Bernhardt or someone like that. But acting with young people has been a great learning experience.
Maybe the the luxury of not having acting be my only profession is that I can be more selective about what I choose to be in. I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
I just love actors, and I've always loved actors. I empathize with their job. Everyone thinks it's easy, and it ain't. To be that vulnerable and brave on camera is tough.
I'm in awe of actors, I think they're amazing because, I don't think I can even play me in anything. I'm really impressed when you see people like Chris Ramsey, John Bishop and Jason Cook. Just taking up comedy acting, let alone serious acting, terrifies me to the core.
You respect all of these people that you know in the business as actors. And they sort of turn around and say, we really like your work. It's a nice acknowledgment.
It was only after university that I said to myself that I had to take the risk and have a serious go at acting. It's such a bizarre profession, because you have to be totally tough to deal with all those times when you're being turned down, and then really soft in order to access your character's emotions.
I think a lot of great male comic actors are introspective, quiet personalities, which I really admire. But they are really able to turn it up when the camera's on.
A lot of people on the business side are really serious. But I like being able to mix content that's me having fun.
I've always just adored music. It's my first love, really. I admire and respect people in the music business. You really have to work hard and diligently. Sometimes actors can be lazy and get away with it, but you can't do that if you're a musician.
That's precisely what we do as actors: try to convince the audience we are somebody else. And if you can do that, you are really doing something.
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