A Quote by Michael Stuhlbarg
I saw a production of 'Titus Andronicus' at the Royal Shakespeare Company with Brian Cox back in 1987. That sort of rocked my world. It was a remarkable production in its simplicity and its realism and passion.
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When I was 19, I took a train from Houston to New York, and I had in my lap the collected works of William Shakespeare. The play I read on that journey was 'Titus Andronicus.'
I went to the Guilford School of Music and Drama, which was affiliated with the Royal Shakespeare Company. I was lucky enough to be taught by a beautiful, wonderful teacher called Patsy Rodenberg, who works a lot with the Royal Shakespeare Company as a voice coach and technician.
When I was 15 years old, I saw my first production of a Shakespeare play at the British pavilion at the Century of Progress World's Fair in Chicago.
But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.
The thing that I had saved up for myself and wanted most to bring off was a fully fledged professional production of Hamlet at the Royal Shakespeare Theater in Stratford.
I'd love to do Shakespeare. I've been asked to do Malvolio but for one reason or another haven't been able. On a school trip to the Royal Shakespeare Company at Stratford I saw the great Emrys James as Feste and it's always been a role I've coveted.
On the one hand, there has been a remarkable expansion of the total production and productivity of food production, and on the other hand an extraordinarily skewed distribution system, substituting medium-run threats for short-term threats for the majority of the world's population, particularly the 50 to 80 percent at the bottom.
I grew up with "Follies." I saw it when I was fifteen. It was the original production, and of course, that production will never be equaled.
Financing for 'Shotgun Stories' was initiated with money from close friends and family. This is where the money to go into production came from. After production, a company called 'Upload Films' came on board and provided post-production funds and services. In both instances, people were taking a gamble on us.
Production for the sake of production - the obsession with the rate of growth, whether in the capitalist market or in planned economies - leads to monstrous absurdities. The only acceptable finality of human activity is the production of a subjectivity that is auto-enriching its relation to the world in a continuous fashion.
It's my passion, that's what I wanna do, it's the end goal, that's what I crave every second of the day is to be working on a production but also to be the person leading the production and guiding the pacing of the storytelling.
Every actor has a production company already. It's just a matter of producing your own films under the label of your own production company.
Development has to result in jobs. What we need is not just more production, but mass production and production by masses.
The ultimate aim of production is not production of goods but the production of free human beings associated with one another on terms of equality.
Titus Andronicus, my lord the Emperor
Sends thee this word, that, if thou love thy sons,
Let Marcus, Lucius, or thyself, old Titus,
Or any one of you, chop off your hand
And send it to the King: he for the same
Will send thee hither both thy sons alive,
And that shall be the ransom for their fault.
I definitely want to start my own production company at some point. I'm actually teaming up with Funny or Die to put together a TV show right now, that I can't really talk about because it's still in the very preliminary stages, but if it pans out this will be the first project under my production company, which I have yet to name.
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