A Quote by Michael Stuhlbarg

I often find in doing tragedy, or doing very serious material, that there's a level of anxiety that builds that often leads to laughter in some cases. In between takes, there can often be a lightness.
The trade-off between freedom and security, so often proposed so seductively, very often leads to the loss of both.
People often confuse self-respect with arrogance. I believe that there is a very thin line between the two. Balance between the two is often what leads to happiness.
If you keep dating and keep out there, you keep a higher level of hope, and also, your skills at doing it improve because you're doing it more often, and you are bringing less anxiety to the table.
I often find during a day of shooting I will speak in an American accent all day long when I'm doing dialogue. At the end of the day, it often takes an effort when I'm talking to my fiancee to bring my English back just because you're so used to speaking that way.
Story ideas, but it's also musing on stuff that I'm thinking about. This leads me to this and this leads me to this. They're kind of random and haphazard. Often I can't find anything. Somehow, by doing that, even though I don't necessarily refer to them in a specific way, I have some sort of architecture in my head.
I love doing comedy. But sometimes, that exists at sort of the mid-level to the high-comedy level of craziness, and I don't necessarily get to plumb the depths of kind of serious acting as often.
An entrepreneur is somebody who is taking bold risks, is often doing things that have never been done before, trying to do things better. And an adventurer is challenging themselves, often doing things that have never been done before, seeing what they're capable of. In both cases, you've got to protect against the downside.
Through American history, we have had populist movements that often, often, often have this ugly racial element. But, often, there are warning signs of some deeper social and economic problem.
It's often said that if doing something was easy, everyone would be doing it. I think that's particularly true when you're trying to make your mark or architect your own career. There's often not a path to follow.
Families, friends and communities often find a source of courage rising up from within. Indeed, sadly, it seems that it is tragedy that often draws out the most and the best from the human spirit.
People who suffer from anxiety are very good at hiding it. That can often be a contributor to the anxiety because the gap between the internal perception and the external impression can feel so large.
Intellectual work is essentially a lonely process, and if you can find a way of doing something so that you're in company without being disturbed, that, for me, is the critical thing. I often get to feel isolated so often if I'm sitting either where there aren't people or isn't a view.
The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.
The people with the best sense of what is essential to a community, of what gives and maintains its spirit, are often doing very humble, manual tasks. It is often the poorest person - the one who has a handica[p, is] ill or old - who is the most prophetic. People who carry responsibility must be close to them and know what they think, because it is often they who are free enough to see with the greatest clarity the needs, beauty and pain of the community.
I know very well what I am about and that my skies have not been neglected, though they often failed in execution - and often no doubt from over anxiety about them.
Having precise ideas often leads to a man doing nothing.
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