A Quote by Michael Sweet

You can take a bad singer and make them sound decent; you couldn't do that in the past... With things like Pro Tools and all the other things you have available; like auto tune, and pitch correction you can make someone who can't sing into someone who can.
In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
I think it's fine for a singer to sing someone else's song. But the thing I don't like is when a singer that can write songs starts getting someone else to do it for them.
I like to work with a combination of analog and Pro Tools. I love the sound of analog tape, but there's so many things you can do with Pro Tools that would be incredibly difficult and very time-consuming with analog.
Nobody wants to admit to this, but bad things will keep on happening. Maybe that's beause it's all a chain, and a long time ago someone did the first bad thing, and that led someone else to do another bad thing, and so on. You know, like that game where you whisper a sentence into someone's ear, and that person whispers it to someone else, and it all comes out wrong in the end. But then again, maybe bad things happen because it's the only way we can keep remembering what good is supposed to look like.
No one has any respect for someone who can play a million notes per minute but can't put together a decent tune that someone can sing to or feel some sort of emotion from.
The good thing about Pro Tools is you can actually hear what you're working on, so it doesn't just become this intellectual idea. But Pro Tools can be dangerous, too. It can make things sterile.
I don't care if someone wants to say something derogatory or spiteful anymore. As I've grown older I've become wiser to the fact that vindictive people take pride in trying to make other people feel bad. I enjoy my life. If someone doesn't like what I do, that's up to them, I really don't care.
You work hard, you sacrifice for everything you do, and in one second, someone can tarnish your name - someone can bad-mouth you, and someone can say things. People let all of the good things gets washed away because someone spoke ill of them.
Choose what you want to do โ€“ or watch someone else doing it. Learn how to handle tools, paint, babies, machinery, or just listen to your favourite tune. Dance, talk or be lifted up to where you can see how other people make things work. Sit out over space with a drink and tune in to what's happening elsewhere in the city. Try starting a riot or beginning a painting โ€“ or just lie back and stare at the sky.
A good interpreter can take a piece of bad music and make it sound pretty decent, while a bad interpreter can take good music and make it sound cheap. I can tell that some people have a bad taste, and unlike on the piano, they smear around a lot, that is bad taste.
Evil or not, the recording industry kept Auto-Tune on the down-low. Cher's producer forced Auto-Tune to jump suddenly from one pitch to the next.
I don't know. Just because someone's pretty doesn't mean she's decent. Or vice versa. I'm not into appearances. I like flaws, I think they make things interesting.
When looking for a life partner, my advice to women is date all of them: the bad boys, the cool boys, the commitment-phobic boys, the crazy boys. But do not marry them. The things that make the bad boys sexy do not make them good husbands. When it comes time to settle down, find someone who wants an equal partner. Someone who thinks women should be smart, opinionated and ambitious. Someone who values fairness and expects or, even better, wants to do his share in the home. These men exist and, trust me, over time, nothing is sexier.
I use Auto-Tune but it's not to mask anything. If you come to see me live, I can sing on the spot. Auto-tune is just for the recording. It keeps everything really precise.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
The thing about Auto-Tune is it can't fix everyone. It only fixes pitch. Everything else - the emotion and the attack and the energy? That's what a singer is.
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