A Quote by Michael Tilson Thomas
The world changes when there's music in it.
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It is important to note that the world changes and that perception of music changes as well.
A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldnt have happened without the social changes.
A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.
I've watched the dynamics of music completely change to where we've sold tapes, we've sold CDs, then everything started becoming 'music is free' now. In a perfect world, Napster wouldn't have come along. But the world isn't perfect, and when it changes, you have to adapt.
All the changes you go through personally really affect the music you make, and my music on the one hand is personal and the other it comes from my lived experience and the interaction with the world around me.
You're changing every day, right? Your curiosities and ambitions change, your ear changes, the music you like changes - and the music you want to make, too.
My music has always been the same. It's the same kinda music but of a better quality. For me nothing really changes just the work rate. It's the work rate that changes more than the music.
When an individual changes in even a small way he immediately changes the world around him. And that concentric circle moves out and changes everything.
The world itself is so full of changes - of negotiations, changes of position, seeing things one way, then another, gauging responses, status changes that can happen in an instant.
Music changes. Nothing stays the same. You just gotta be able to roll with the punches. When the music changes, it's not that you gotta change too - it's that you gotta be able to maintain and hold your ground.
The world will always love Cuban music, however it changes.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
You have to let your music be true and then people who want to adopt it as that, they take it on and they love it, and it changes their world.
Modernity is the ensemble of changes - intellectual, political, economic, social, cultural, technological, aesthetic - that have altered the world drastically since roughly the 17th century, until which time the world was, in the above respects, far less different from the world of any previous epoch of recorded history than it is from the world of today. The modern predicament is the set of problems these changes have bequeathed us.
It's emotion. When you are watching a movie you see a woman sitting with her daughter and looking in her eyes and you see butterflies flying in the background and then you suddenly hear scary movie music and it changes the whole thing. But if something sounds different it changes the movie. Music is the back drop of what you talk about.
A lot of exercise is mindless; you can have music or the radio on and not be aware. But if you're aware in anything you do - and it doesn't have to be yoga - it changes you. Being present changes you.
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