A Quote by Michael Tilson Thomas
Classical music is an unbroken, living tradition that goes back over 1,000 years, and every one of those years has had something unique and powerful to say to us about what it's like to be alive.
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The idea of a musical comedy was something we had had in mind for many years, but the project 'Igudesman & Joo: A Little Nightmare Music' has a history that goes back five years. I can say that this is the most successful project that we have ever done.
Every creature alive on the earth today represents an unbroken line of life that stretches back to the first primitive organism to appear on this planet; and that is about three billion years.
You see, every creature alive on the earth today represents an unbroken line of life that stretches back to the first primitive organism to appear on this planet; and that is about three billion years.
The earth's history over the past several million years is that for every 100,000 years, we go through a dramatic climatic cycle where we get 90,000 years of ice age and 10,000 years of a warm period. I think people today just have the expectation that we deserve a perfectly benign climate forever.
We say that life is sweet, its satisfactions deep. All this we say, as we sleepwalk our time through years of days and nights. We let time cascade over us like a waterfall, believing it to be never-ending. Yet each day that touches us, and every man in the world, is unique; irredeemable; over. And just another Monday.
Some people have criticized the United States and the United States military for guarding oil fields and not guarding the Iraqi National Museum which had priceless antiquities in it. They say that this shows a fundamental lack of respect for Iraqi history. I want to remind those people of this: The oldest relics in the museum, 5,000 or 6,000 years old. That oil is 65 million years old. You had to guard that. ... Those antiquities will only last another 5,000 or 6,000 years. When we burn that oil, those fumes will linger long after.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
That's the argument of flexibility and it goes something like this: The Constitution is over 200 years old and societies change. It has to change with society, like a living organism, or it will become brittle and break. But you would have to be an idiot to believe that. The Constitution is not a living organism; it is a legal document. It says something and doesn't say other things.
I'm very scared to do it. What if I don't come back? With the whole light-years thing, what if I come back 10,000 years later, and everyone I know is dead? I'll be like, 'Great. Now I have to start all over'.
You think about, like, [20th-century classical composers] Alban Berg, Schoenberg, and Webern sitting around in some living room in Vienna and being like, "We are the end of music. We are the end of this tradition. Music is done."
I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.
I waited all those years for a title shot, and when I finally got it, I had to pay $20,000 for the opportunity. My purse was only $18,000. So to make money, I had to bet $10,000 on myself at 8-5. That was how it was in those days.
Since I've grown up I really wanted to be able to create something different. In Persian music, opposite, again, to classical music, that the instrument developed and evolved over, like, hundreds of years, our instrument all remained the same.
Before this war is over,' [Walter] said - or something said through his lips - 'every man and woman and child in Canada will feel it - you, Mary, will feel it - feel it to your heart's core. You will weep tears of blood over it. The Piper has come - and he will pipe until every corner of the world has heard his awful and irresistible music. It will be years before the dance of death is over - years, Mary. And in those years millions of hearts will break.
For years, the Democrats have controlled the inner cities; some up to 100 years; some over 100 years; unbroken. I say to the African American community and to the Hispanic community: What the hell do you have to lose? I will fix it. We will make them good. We'll make them safe. We'll bring back jobs. We'll create good, good schools and education.
I enrolled to do a TAFE course on Indigenous Studies, and over the next two-and-a-half years of my course I learned so much about my people and my culture in a broader sense. It made me so proud of my Aboriginality and our history in this country, which dates back over 40,000 years.
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