A Quote by Michael Tilson Thomas

But still as compared to many, many orchestras in the world, I think you find a lot more new music and living composers on our programs than many other places. — © Michael Tilson Thomas
But still as compared to many, many orchestras in the world, I think you find a lot more new music and living composers on our programs than many other places.
Many composers use software to write music - programs like Finale or Sibelius. There are also recording programs. I should say I'm still very old-fashioned, I still use pencil and paper. But almost every composer I know does it the 'new way.'
The architecture scene in China is the most open and free climate compared to many other places. You can find many opportunities.
I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.
We come from Spain, from Barcelona. We could perform in many places around the world, and it's been amazing to bring our music to so many people in so many different places. That's been amazing.
There are so many people who are interested in classical music. Fortunately, I think many of them are quite young, so it's wonderful to present new programs to them.
Of course we've lost so many superstars who've made jazz what it is. We've lost so many musicians who created new things and changed the way we think about music and who took jazz to a new level. So jazz is suffering from that. But we still have a lot of incredible people playing jazz in the world. We have a lot of people leading the way.
The truth is, there are so many terrific places in New York because it's the greatest city in the world, and there are so many fascinating places to see that, frankly, it's humbling.
The idea of regularly acknowledging our indebtedness to the natural world and giving thanks for the many gifts we receive from it, or considering other species to be our close "relations" which many indigenous peoples still do, couldn't be more alien to most of us.
By and large, women in New Zealand are fortunate compared with some other countries, including many in our own region. But there is still progress to be made.
My music comes from many, many, many places. My emotions, my feelings, my thoughts, and conversations I have with people I know who influence me.
The reason why we find so many dark places in the Bible is, for the most part, because there are so many dark places in our hearts.
It's a lot easier to make a living as a writer in Hollywood than it was probably 10 years ago, though there's still just as many unemployed people in Hollywood as there ever has been, but there's so many more avenues to sell things, because of digital, and Amazon, and Netflix, and all these different platforms. That's crazy and exciting in a creative way, and we'll see where that all stands five years from now. But on the corporate side, I still see that pendulum swinging back in that other direction, which is a little not comforting.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
Sure thou did'st nourish once! and many springs, Many bright mornings, much dew, many showers, Passed o'er thy head; many light hearts and wings, Which now are dead, lodg'd in thy living bowers. And still a new succession sings and flies; Fresh groves grow up, and their green branches shoot Towards the old and still-enduring skies; While the low violet thrives at their root.
It's funny: I kinda still float under the radar. I'm not tall like a New York Knick; I'm not a heavy, strong New York Giant or New York Jet. I blend in pretty well. A lot of people don't recognize me too many places. More men recognize me than women.
The culture of suppressing women composers and performers goes centuries back in Germany and other countries. Just think of Fanny Mendelssohn and the struggles she and many other women had to endure to get their music recognized. How many women's compositions were left to languish in attics, only to be thrown out by future generations! So much has been lost over the centuries.
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