A Quote by Michael Treanor

A difficulty journey is more revealing of character than any discussion or analysis. — © Michael Treanor
A difficulty journey is more revealing of character than any discussion or analysis.
THE MALE JOURNEY t some point in time, a man needs to embark on a risky -journey. It's a necessary adventure that takes him into uncertainty, and it almost always involves some form of difficulty or failure. On this journey the man learns to trust God more than he trusts a sense of right and wrong or his own sense of self-worth.
The endless teen franchises that come out of Hollywood... more often than not, the central character doesn't have any discernible character traits. They're just the young, good-looking guy who goes on this journey. They're always played by fantastic young actors, but ultimately, they're not very interesting characters.
Science, my dears, is the systematic dissection of nature, to reduce it to working parts that more or less obey universal laws. Sorcery moves in the opposite direction. It doesn't rend, it repairs. It is synthesis rather than analysis. It builds anew rather than revealing the old. In the hands of someone truly skilled,...it is Art.
Human intelligence was more trouble than it was worth. It was more destructive than creative, more confusing than revealing, more discouraging than satisfying, more spiteful than charitable.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
I can't recall any difficulty in making the C language definition completely open - any discussion on the matter tended to mention languages whose inventors tried to keep tight control, and consequent ill fate
I can't recall any difficulty in making the C language definition completely open - any discussion on the matter tended to mention languages whose inventors tried to keep tight control, and consequent ill fate.
Human character is just endlessly fascinating, and there is no character who is one thing any more than any one person is just one thing. As you work on a character, he/she is revealed more and more. That's what I continue to love about the work.
Keep everything in context, and try to have each line doing more than one thing - not just giving exposition but also revealing character and history, etc.
The virtual suppression of ethical discussion after 1845 produces the semblance of purely descriptive analysis, dressed in the mantle of positivist objectivity, analysis which is, in fact, strung to a framework of crude, because unexplicated, moral assumptions.
Everybody is on a lifelong journey toward trying to live more deeply. There is nobody who can say, "Well, I've got that one checked off my to-do list." We have to be honest with ourselves about where we are on this journey and about the difficulty of living in our own identities and integrity.
The discussion of 'V for Vendetta' - on Pinocchio Theory in particular - has been far more interesting than the film deserved. Yes, there is a certain frission in seeing a major Hollywood movie refusing to unequivocally condemn terrorism, but the political analysis in the film (as in the original comic) is really rather threadbare.
There's no such thing as life; or if there is, It is faster than the weather, faster than Any character. It is more than any scene: Of the guillotine or of any glamorous hanging.
I can never kind of fathom a character's journey beyond the moment when you go to black, any more than when people ask me what Jason Patric did with the tape recorder at the end of 'Narc,' you know what I mean? Even in 'Blood, Guts,' like, what happens down the road with these characters?
A character standard is far more important than even a gold standard. The success of all economic systems is still dependent upon both righteous leaders and righteous people. In the last analysis, our national future depends upon our national character that is, whether it is spiritually or materially minded.
With The Myth of Achievement Tests, James J. Heckman, John Eric Humphries, and Tim Kautz have offered a wealth of insightful analysis and brought together a number of topics often treated separately to inform a comprehensive discussion of the growth, character, and impact of the GED that is truly monumental. This is a first-rate book.
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