I would love to dive into an indie film based on the streets of East Los Angeles where I grew up. If that doesn't come my way soon, I think I just might have to write it myself.
I grew up in South Central Los Angeles in the '80s, back when it just wasn't a cool scene. But my mother had the foresight to look for a number of projects that would keep us away from the streets.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town!
I think... I love Los Angeles. I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
I grew up in East Los Angeles, which is the biggest population of Mexican-Americans in America. I was born and raised there.
When I'm in Los Angeles, it's hard to be creative. For me, New Orleans is one of those places that's like a muse. You can hear music on the streets. There's a certain character the city has that inspires you when you're needing to write lyrics and come up with melodies and come up with rhythm and blues. The city has a pulse and it's an inspiration for me.
If I were to say that I grew up in East Los Angeles in the projects, poor, I assumed that everybody understood that it came with its own reasons for being the way I am. I didn't get that people needed to understand where my comedy came from; I thought that they knew that.
I've actually done three pilots for Disney. I met with the network when I was 16 years old and had just started acting. I would fly to Los Angeles to film pilots, then fly back to Dallas, where I grew up.
I think Los Angeles certainly grew out and grew up, but I don't think it matured. It lost the appeal and the hunger and the beauty of its adolescence and went straight to a middle-aged ugly, overfed monster seeking mindless pleasure and being obsessively acquisitive. It's so materialistic. It grew up, but it didn't mature.
I grew up in a house that might have had the only front-yard cornfield in all of Los Angeles.
I grew up in Los Angeles. I still remember when I was a junior in high school studying for the SATs. I had my job - I was actually a production assistant on a film - but on weekends, I would finish my prep tests on the beach.
I grew up in the streets of San Diego, and I love this city dearly. I love this city. San Diego is my home. Even though I represent Los Angeles, this is my home.
I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.
I grew up on theater, and honestly, I'm trying to figure out a way with a family and kids and living in Los Angeles to get back to the stage because it is my first love.
If I were to say that I grew up in East Los Angeles in the projects poor, I assumed that everybody understood that it came with its own reasons for being the way I am. I didn't get that people needed to understand where my comedy came from; I thought that they knew that. Now I tell people.