A Quote by Michael Trucco

I try to have a true line in every character I play. — © Michael Trucco
I try to have a true line in every character I play.
I believe in the fact that to portray a character convincingly, you need to live that character, own that character. You have to be earnest with every line that you deliver. However, it doesn't mean that you have to cut off your true self.
Ultimately, I don't think you can be a character who's completely alien or divorced from your own personality. It's probably true of every writer - it's probably true of every filmmaker, every songwriter - that, ultimately, every character you create is a facet of yourself.
I just try to be honest and true to the character and play the part.
Not every character that you play is going to be somebody that you like or love, but every character that you play has a story that is worth telling. If you're not the person to tell it, that's one thing. But if you don't want to tell it because you are afraid of the unpopularity of the character, I view that as a missed opportunity.
In every character I play, I try to imbibe something. Every film is a learning process for me.
I try and find a way to love every character I play.
I always try to find something I admire about every character I play.
I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.
I play a character every day of my life, and I don't want to play a character as myself. They can judge me as an actress, not as a person. I'm not a spokeswoman for Anna.
I look at whatever the finish line is for the character and then kind of act backwards from that and play him in such a way so that that finish line is more rewarding.
I make out a play list for every character and buy the records they would listen to; it helps me find their personas. What they play, where they stay, who they lay, is my matrix for character development.
The life of a character should be an unbroken line of events and emotions, but a play only gives us a few moments on that line - we must create the rest to portray a convincing life.
Everything you do is different, and you find different chords in every character that you play that strike true with you.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
You have to have sympathy for the villain. Even the most disgusting ones, you have to find something to connect with. I try to put as much of myself in every single character that I play.
The first thing I do with any script is read it and try to visualize if I can play the character - if I can feel what the character's feeling.
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