A Quote by Michael Tubbs

When I left Stockton and went to Stanford, I felt I hit the lotto. I did not think I was coming back. — © Michael Tubbs
When I left Stockton and went to Stanford, I felt I hit the lotto. I did not think I was coming back.
I felt like I had hit a ceiling in the UK. I wasn't having many opportunities to audition back home and I felt like my career was coming to a halt. So I came to the US to be a fresh face and start over.
How come they don't think you can handle a new story out of the blue on the TV news? They gotta make a little lame segue. "Hey, that's a big lotto jackpot! Speaking of lotto, there was a lot o' crime in the city today."
At one point Trudeau mentioned to me that the National Gallery wanted to buy a masterpiece by the great Italian painter Lotto, and it needed a million dollars from the Treasury Board. "Is that Lotto-Quebec or Lotto-Canada?" I joked, but I got the message, and the National Gallery got the painting.
Coming back to Yes is like never having left. Even when I have not been in the band, I have always felt part of it.
Stanford did a lot for me, and I've always felt indebted. It was a lenient and productive environment.
America was not interventionist enough, which, of course, did mean a bit of a breach with old comrades on the left. I felt the international left in the countries concerned took the same position as I did. So, in my view, it's the left that's become reactionary and isolationist and parochial.
Every time you see me I look like I hit the lotto twice.
If I hit the lotto, I would be nowhere near the road. But I got bills to pay.
I chose Stanford for Stanford and not for the coach. I was going to Stanford regardless.
One of the last times that we played in the area before I wrote "Allentown," I remember a guy coming up to us and saying, "You're never coming back here." I said, "Why do you say that?" He said, "Well, you're probably gonna become a big star. Nobody who ever becomes big comes back here." And I felt so sad for this kid, he seemed so bitter about it. I said, "Well, I'm coming back, no matter what."
I had been played at left back, right back, and I just felt like I wasn't developing as a player. I saw the opportunity to join Tottenham and I took it, because I felt it was the best decision for all parties.
It was nice to finish up Stanford. I think I always felt that I would be there for four years and graduate, and definitely didn't want to leave early. A degree was definitely a plus, and I was having a lot of fun in school. But after football, you know, I don't know. I really did enjoy studying architecture; it was a blast.
I did worry about being in a science-fiction show. The bits that I was reading, I felt were funny, and I felt the man was childish, so I really did ask initially, "Is this for kids?" And the thing that came back immediately was like, "Hey, take a look at this whole thing again. This is definitely not for children. How can you think that?"
I can remember in second grade coming back from school and telling my mom, 'You know what, before I play in the NBA, I want to go to Stanford.' Because of her, I had everything figured out.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
For me I look at a group like Queen or AC/DC or the Beastie Boys. There was melody within what they did. There was a certain style with what they did. I think it is coming back.
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