A Quote by Michael Urie
We perform the show for the people that are in the room and then that performance is theirs forever and ever.
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When I'm writing obviously I have all the nostalgia in the world, I have all the emotion in the world, but then when I actually perform, I need to just perform it, and that's it. I do retain like a little bit of it because I have to, I sing and perform the songs so I have to - it's a performance of the songs - but I just have to get the right balance.
In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room.
If you want to judge the performance of the Egyptian people by the standards of German or Chinese or American culture, then there is no room for judgment.
In 'Uncharted,' we do the scenes the same way you would do a film or television show. The motion capture - the performance-capture process - is what makes such a difference for this franchise. So I don't approach it any differently. The other actors and I go in and rehearse scenes together, and then we go in the next day and perform.
Stand-up comedy is a really lonely profession: you 'perform for 2000 people, then you go to a hotel room by yourself and stare at a wall.
I perform in theaters, international stages with people screaming for me, and then I go back to my hotel room, take all my makeup off, and I'm alone.
I am a wild orchid of comedy, so I can only do well under specific conditions... There are people who I think can do any room, and do stadiums and thousand-seat theaters, and then there are people like me who just perform for my parents.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
In my mid-twenties, I said to myself: 'I can't perform anymore!' I didn't know what I wanted to do. I didn't perform for a while, then ended up doing a one-woman show about Gilda Radner having cancer. It was called 'Gilda Defying Gravity,' and I did it on the Lower East Side. It was great; people really came out and supported me.
I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
My job is to put on a great performance. Every time I step in the ring, my job is to perform at top level and to give the people, give the crowd, give the audience what they came to see and that is a good show and, of course, everybody wants to see knockouts and that's what I like to do.
I'm completely unlike a lot of other performers in the past who have been forgiven or come to terms with the real world because they tell everyone their performance is 'just a show.' And so, people say, 'Oh, it's OK then. We don't care. He's not really a bad person.' It's not just a show for me. It's my life.
I’ll never die", he said. Before I could protest, Lucas put two fingers on my lips, his smile seemed to fill the room with lights and I realized he was telling a deeper kind of truth then I’d ever known before “You’ll live forever and being remembered by you is the only immortality I’ll ever need if I only live on as a part of you – Bianca, that’s my idea of heaven
My role on 'Silicon Valley' was so small that I didn't have a lot of influence anyway in the show. There are four guys who really write that show and run that show and then six or eight hanging out in a room kicking in a few bits.
Integrity is hard work. I do think the Internet makes it harder because of the temptations of performance. You can perform and have integrity, but it's easier just to perform.
Within weeks of our premiere, it became obvious that Leonard [Nimoy] and the character of Spock were becoming something of a national phenomenon. ... And to be unflatteringly frank, it bugged me. ... [Then, Gene Roddenberry] said to me the wisest thing he could possibly have uttered. He said, `Don't ever fear having good and popular people around you, because they can only enhance your own performance. The more you can play to these people, the better the show.'
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