A Quote by Michael Waltrip

The one feeling that settled in and stayed there for a long while, and I still deal with, is guilt. I was there. I was a part of it. Why does it have to be like this? Was I responsible? Was I the reason Dale was in that position? I'd ask myself that question and look around at people and wonder if they were thinking that, too.
I built my team with Dale in mind. He lives with me. He's part of who I am because I just appreciated who he was and how he went about things. People worked on his cars at Dale Earnhardt Incorporated before I got there. When Dale would walk by you could just tell people were thinking, 'these are Dale Earnhardt's cars.'
Most of the time I ask, "Why have I forsaken God?" I look at myself and ask that question when probably the better question is to say, "Where are you God, and I'll let you in." Instead of thinking that you've abandoned God, push yourself in the other direction like, "God, how can I get closer?"
I'm not interested in anybody's guilt. Guilt is a luxury that we can no longer afford. I know you didn't do it, and I didn't do it either, but I am responsible for it because I am a man and a citizen of this country and you are responsible for it, too, for the very same reason... Anyone who is trying to be conscious must begin to dismiss the vocabulary which we've used so long to cover it up, to lie about the way things are.
The question of why evil exists is not a theological question, for it assumes that it is possible to go behind the existence forced upon us as sinners. If we could answer it then we would not be sinners. We could make something else responsible...The theological question does not arise about the origin of evil but about the real overcoming of evil on the Cross; it ask for the forgiveness of guilt, for the reconciliation of the fallen world
Successful people engage that creative part of their minds and ask, "Well, I wonder how else I can look at this problem? I wonder how else I could deal with this decision? I wonder what other possibilities I have there?"
When you ask people why they were evicted, the big reason is nonpayment of rent. They can't afford to keep a roof over their heads. Utilities are a big part of the story too, while the third leg on the table is the lack of government help with housing.
I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. If they like their jobs. Or us. And I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day, and how they are able to cope with having three quizzes and a book report due on top of that. Or wondering who did the heart breaking. And wondering why.
Sometimes I wonder: What are the children thinking? And sometimes I wonder why the hell I'm not buying a tree like the other neighbors. After all, there is no mention in Christianity of Christmas trees, and even if there were - is there any good reason why I shouldn't be buying some red stockings?
People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.
Science is not the means by which we come to understand why physical laws and circumstances are the way they are. When we ask why - assuming the question is really 'why' and not 'how' - we are really asking to know the motive of some responsible agent capable of reason.
If I was feeling angry, I had to investigate not just who or what I was angry at, but why. And then I had to do the hard part and ask myself: Are you justified in where your anger is being directed? So, while I allowed my emotions to be valid, I knew that if I were to use them constructively, in the service of art, then I had to look at them dispassionately. Some might call this therapy, and I suppose it was. But I also had a goal that was larger than just healing myself, which was connecting to an audience.
While I made a splash, rappers came and passed But still I ask myself: how long does famous last?
A while back there was this fad where a big star [would get] a producing credit and you'd ask around, and people were like, "No, they didn't produce, they just took the credit." I was flabbergasted. So when I started, people were weirded out by the fact that I was like, "How long is our prep? I'll come a week before that." They were like, "We're not shooting for six weeks."
Why did Erich von Stronheim leave Germany? Why did Hitchcock leave England? If you were a director you'd like to work in Hollywood too. Now go ahead and ask me if I'm still Polish. You people keep asking me this question. You want Polish artists to make it in the world, but when they do, you accuse them of treason.
I learned to ask myself questions like: Why is something made the way it is? Why does a motorcar look like it does? Is it right or wrong? What is an airplane? Why is it shaped like that? Then, later, I became a diver and studied subaquatic life and the streamlining of sharks and manta rays. Any fish is superior to the shapes we humans have invented - and unchanged for 250 million years, imagine!
I've come to realize that Barack Obama is the tattoo president. Like a big tattoo, it seemed cool when you were young. But later on, that decision doesn't look so good, and you wonder: what was I thinking? But the worst part is you're still going to have to explain it to your kids.
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