A Quote by Michael Weatherly

My father and mother are both very smart people and I always felt I was a little short of the mark. So I would compensate with a character like Logan Cale. He's wearing glasses, he's in a wheelchair, he's a computer genius. He's very far away from who I am, but I really wanted to play roles where I'd be taken seriously.
In the 1980s, there was no category to stick me in. 'He sounds too smart' is what I was hearing. I realized that I had to become a member of the school of what I call 'ugly acting.' Which meant I wanted to do what Dustin Hoffman did very successfully: to play character roles, but lead character roles.
My mother has been very instrumental in shaping up my career. Whatever I am today is because of her. Because I didn't have a father, she played both the roles of a mother and a father in my life.
I wanted to play a mother again. I thought it would be interesting to play the mother of an older child. And it was also the kind of part I've been looking for my whole career, actually, in film. You know, just to play a femme fatale who's very smart, and wicked.
I am obsessed with the idea of transformation. I have been very lucky so far to play very different roles - and I would love for that to continue.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
I see some people with glasses here, I trust people with glasses, don't you? But if you're wearing your glasses like this ... "Get away from 'em!"
He didn't call his father and mother 'Father' and 'Mother' but Harold and Alberta. They were very up to date and advanced people. They were vegetarians, non-smokers and teetotalers, and wore a special kind of underclothes. In their house there was very little furniture and very few clothes on the beds and the windows were always open.
Rather than thinking of ourselves as a computer, and trying to give you computer-like functionality, it's better to start from the understanding that this is a pair of glasses, and say, 'How smart can we make these glasses for you?'
My mother and my father are both very funny people, and they're both artistic in their own right. Oftentimes, we get very dramatic about things, but we also laugh really hard.
A little girl thought I was mean like my character on 'Zoey,' and I convinced her that 'Logan' is just a fake character and I am really a nice guy.
One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.
Sarah Corvus in 'Bionic Woman' was one of my favorite characters I've ever played, ever, for reasons that are very similar to Nikki in 'Sexy Evil Genius.' I felt that that show was taken away from me too soon, and I really wanted to dive back into that mind frame again.
I'd never seen my father stand up. As far as I can remember, my father was always in a wheelchair. I always remembered that. And I remember my first basketball game, ever, he rolls into the gym, he stays by the door and he watches me play. And that was the only game he ever saw me play because he passed away shortly after that.
Unloved is not the right word... but I never felt I made the grade. Mark was a blond, very attractive little boy, and sporty, so Dad was always teaching him to play cricket on the lawn... I always felt I came second out of two.
Although my father's mother, Nancy, has dementia, and her experiences gave me ideas for some of the scenes in the book, it was my mother's mother, Vera, who most influenced the character of Maud. Vera died in 2008, before I'd gotten very far into writing 'Elizabeth Is Missing,' but her voice is very like Maud's.
I felt that people would criticize everything. I was so scared about playing Paris. I was very much aware that the greatest concerts my father and mother had done were there. I was sure people would be very tough.
This site uses cookies to ensure you get the best experience. More info...
Got it!