A Quote by Michael Winter

If you look at footage of the Newfoundland Regiment, you see they are at rest and giddy and being silly with one another. Silliness is the antidote to trench warfare. — © Michael Winter
If you look at footage of the Newfoundland Regiment, you see they are at rest and giddy and being silly with one another. Silliness is the antidote to trench warfare.
The fantastic thing about the memorial to the Newfoundland Regiment at Beaumont-Hamel is that it's one of the rare examples where they've preserved a battlefield more or less as it was. You can see all the trenches, where the British were, where the Germans lined up.
If a garden require it, now trench it ye may, one trench not a yard, from another go lay; Which being well filled with muck by and by, to cover with mould, for a season to lie.
Love is like trench warfare - you cannot see the enemy, but you know he is there and that it is wiser to keep your head down.
No one thinks anything silly is suitable when they are an adolescent. Such an enormous share of their own behavior is silly that they lose all proper perspective on silliness, like a baker who is nauseated by the sight of his own eclairs. This provides another good argument for the emerging theory that the best use of cryogenics is to freeze all human beings when they are between the ages of twelve and nineteen.
We see in the 20th Century an unfortunate trench warfare, in which psychoanalysis, in a struggle against the internalized compulsion and superstition of a particular doctrine, has expressed itself atheistically. By contrast, theology is not merely under suspicion of talking soullessly about God. Both theology and psychology, in striving for human health, need one another like the right and the left hand.
'Into the Blizzard' follows the author as he traces the footsteps of the Newfoundland Regiment during the First World War: where they trained in Scotland, where they fought in Gallipoli and where they died at the Battle of the Somme in France.
Before GoPro, if you wanted to have any footage of yourself doing anything, whether it's video or photo, you not only needed a camera, you needed another human being. And if you wanted the footage to be good, you needed that other human being to have skill with the camera.
I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new.
In my experience, academia is a World War 1 kind of a domain, and I do my best to avoid all that trench warfare.
Our first and most pressing problem is how to do away with warfare as a method of solving conflicts between national groups or between groups within a society who have different views about how the society is to be run. If you look back, you will see that warfare was an invention, just as ways of handling government or taxes are inventions. You will see, too, that once people use an invention they go on using it until they find another which they think is superior.
The old footage of my dad, I always knew we were cut from the same cloth, because my dad was such a renegade and always marched to the beat of his own drum. To see where we were both dancing and being silly together, it's too beautiful for words. I was really happy to have that.
The baby boomers' politics have covered a wide band of silliness, from the Weather Underground to the Timothy McVeigh types. The great majority of us are well in the middle of that spectrum, but still, there's been both leftie silliness and right-wing silliness.
The battle for the mind of Ronald Reagan was like the trench warfare of World War I: never have so many fought so hard for such barren terrain.
One of the things I think you need to be a good emcee is silliness. And I'm basically a silly guy.
Newfoundland dogs are good to save children from drowning, but you must have a pond of water handy and a child, or else there will be no profit in boarding a Newfoundland.
There's a shot that I designed to try and illustrate the scale of the Death Star that's sort of framed in close on the equatorial trench as Krennic's ship is leaving. The camera's pulling back, and you start with it framed so you can kind of see those docking bays that are in that trench.
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