A Quote by Michael Winterbottom
We always had the idea that there might be two slightly different versions of the same thing.
Related Quotes
I really think the human experience is very similar for everyone; we're all doing slightly different versions of the same thing.
The woods always look different at night...as if the daytime trees and flowers and stones had gone to bed and sent slightly more ominous versions of themselves to take their places.
I always revise when I publish in a book. So versions in magazines are sometimes slightly different.
It's the pool where we all go down to drink, to swim, to catch a little fish from the edge of the shore; it's also the pool where some hardy souls go out in their flimsy wooden boats after the big ones. It is the pool of life, the cup of imagination, and she has an idea that different people see different versions of it, but with two things ever in common: it's always about a mile deep in the Fairy Forest, and it's always sad. Because imagination isn't the only thing this place is about.
The most important thing in Guardiola's theory is to play football, and this always stays the same. The basic idea is always the same, but different opponents offer different space which you can use to play in.
Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They can be very laid back, downtempo, or sometimes the same song can be quite uptempo. But it is always the same melody and chord progressions.
I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.
One thing Aussie telly does well is slightly different versions of programmes we've made. The trailers for 'Celebrity Splash' prove they don't just pick the good stuff either.
I'd say, 90 percent of the time, I get an idea, like, within 10 seconds of somebody telling me what their whole thing is about. And usually that flash of an idea, it's what I always go with. It might change slightly, but in general, that's pretty much it. To get me to change the entire idea is pretty tough.
Mozart and Neil Diamond may have begun with the same idea, but that a work of art is more than an idea is confirmed by the difference between the 'Soave sia il vento' and 'Kentucky Woman.' We have different words for 'art' and 'idea' because they are two different things.
The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
Usually with something like 'The 100,' because you're working so much and every day, and they'll change the drafts quite quickly, we'll go through maybe, like, 12 different versions of the same scene over a week. So there is no point in learning it on a Tuesday when on a Thursday it might be completely different.
I always had that joy of the game in my eyes everywhere I played, because it was the best thing, but Brescia probably had less pressure. Maybe people might perceive more enjoyment because the pressure was different, but it was the same. I enjoyed the pressure, no problem!
One [of the two ideas for PROOF] was to write about two sisters who are quarreling over the legacy of something left behind by their father. The other was about someone who knew that her parent had had problems of mental illness [and that] she might be going through the same thing.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
No two men ever judged alike of the same thing, and it is impossible to find two opinions exactly similar, not only in different men but in the same men at different times.
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