A Quote by Michael Wolff

One of the anomalies of digital journalism is a lack of clarity between high and low. That's the historic distinction in publishing, mass from class, the vulgar from the refined, tabloid from broadsheet, the penny press from papers costing a nickel.
How advertising is handled has always been a key distinction between low and high order publishing. The higher you stood, the more separate you were from advertising, and, in the logic of snobbery, the greater a premium price the top brands would pay to be in your company.
I don't think the distinction between high and low culture exists anymore.
I never understood the low art/high art distinction. I think there's real currency in pop culture. We read trashy magazines as much as the next person. So I never saw the point in listening to only one thing. That low art/high art distinction comes from the establishment telling me how I'm supposed to think.
To be good, according to the vulgar standard of goodness, is obviously quite easy. It merely requires a certain amount of sordid terror, a certain lack of imaginative thought, and a certain low passion for middle-class respectability.
In the West, it's just a given that art exists in this high-class place. But in Japan, there's no high class. The minute you come out, you're low class.
We should not be scrimping on investments in public safety. The lack of infrastructure spending is costing us lives in America. It's costing every commuter.
Like a lot of small press founders I was looking for a way into publishing - as well as a way out of academia. Without moving to London, I couldn't see a way of working for a publishing house whose work I liked. Believe it or not, the simplest way for me to get into publishing was to start my own press.
I don't make a particular distinction between 'high art' and 'low art.' Music is there for everybody. It's a river we can all put our cups into and drink it and be sustained by it.
[The PlayStation 2 is a] historic, a mass-market appliance that fundamentally changes society in the way the printing press did.
The press heralded this as a major accomplishment. The rush from the press as soon as it was announced suggested a high level of coordination. Like lemmings in a staged dive off a cliff, 'historic' became the media's rallying cry. There is nothing historic about the deal. In fact, news reports from November 2012 noted that China expected, in 2012, that its carbon emissions would begin to decline after 2030 because of factory upgrades, efficiencies, etc.
For years I have told my students that I been trying to train executives rather than clerks. The distinction between the two is parallel to the distinction previously made between understanding and knowledge. It is a mighty low executive who cannot hire several people with command of more knowledge than he has himself.
With iPad publishing, you can try new things, experiment, and even launch new magazines without the massive risk normally associated with print publishing. The future is digital, so there will be a digital version of everything we do going forward. There has to be. The cheese has been moved.
I want to get totally rid of class distinction. As someone put it one of the papers this morning: Marks and Spencer have triumphed over Karl Marx and Engels.
A nickel is not worth a penny more.
I think if you had to choose between running a tabloid and being president of the United States, of course you'd run the tabloid, especially in New York.
You've probably heard the term, 'red flag warning.' That means there are extreme conditions. Low humidity, high temperatures. The fuels are extremely dry and volatile. We classify those in East Tennessee as 'fire days' so if your fire class day is a 1, it's relatively low. A class 5 day would be an extremely high danger day. A day like Sunday would be a 4 or a 5.
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