A Quote by Michael Wright

The beautiful thing about serialized drama is that the further you go, the deeper you go. — © Michael Wright
The beautiful thing about serialized drama is that the further you go, the deeper you go.
Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.
I like to multitask. I love the process of the storytelling in television. I love the serial. Even my stab at doing a procedural show was still very much serialized. I'm such a serialized storyteller. I feel like the story never ends. I want it to go and go and go. However, with cable and streaming now it's endless. You can do anything.
Our tendency in life is to avoid things that frighten us. But in order to become whole, we need to go deeper and deeper into ourselves by reaching further and further into the things we fear.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
Once you buy into a television show, there doesn't have to be resolution from week to week. You can develop characters and storylines and react to the audience, so you get more of a serialized version of storytelling where you can go much deeper into each character. It's more like a novel.
As her analyst had told her: the deeper buried the distress, the further into the body it went. The digestive system was about as far as it could go to hide.
After the play of 'Fleabag,' we had conversations with different channels and with film companies about whether 'Fleabag' should be a half-hour sitcom, an hourlong, serialized drama, or a film. And I knew that it couldn't be a drama because I wanted to hide the drama - that had to be the surprise. I knew it had to be comedy.
For me, as an audience member, I'm always most engaged by serialized storytelling, so as an actor, the thing that I take away from it is how much fun it is to perform a serialized story.
I've reprised roles in the theatre, which is somehow more accepted, and where one can automatically go deeper and further into the role.
Drama schools say if arts funding is cut, people can't afford to go, but I didn't go to drama school.
The interesting thing about a lot of serialized television is that it's a blessing and curse. Smart writers really take their time in investing in backstories and characters. As a viewer, you have to invest in them and love them before you can chip away at what's going on more on a deeper level with secondary characters.
[Kingston, Jamaica] is the city, it's not a beautiful beach. But at the same time when I go to Jamaica, that's the only place I want to go. It's where the culture is its richest. Or if you have the opportunity, you can go to the North Coast and go to Montego Bay. That's where you get the beauty of the miles of beaches and beautiful resorts.
I realized that the actors that I liked and admired all went to drama school and got an agent that way. So I started when I was about 16 in drama school, and then I knew I had to wait until I was 18 so I could go on auditions, and I tried to get into one of the ones that I liked and then go from there.
I've always been a person that is searching for truth and always wants to go further, deeper.
There is just one thing I can promise you about the outer-space program - your tax-dollar will go further.
Reading can be just feeding, but smart reading takes us further. The classroom is one way to go deeper, but we can't stay in school forever.
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