A Quote by Michael York
The great thing about university is that they incline you to get up and do it, from the Classics to modern plays, to the humor that Monty Pythons made popular.
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When you think about great teams, The Beatles and the Pythons immediately spring to mind. The Pythons were as much a part of their time as The Beatles.
Modern civilization is largely devoted to the pursuit of the cult of delusion. There is no general information about the nature of mind. It is hardly ever written about by writers or intellectuals; modern philosophers do not speak of it directly; the majority of scientists deny it could possibly be there at all. It plays no part in popular culture: no one sings about it, no one talks about it in plays, and it's not on TV. We are actually educated into believing that nothing is real beyond what we can perceive with our ordinary senses.
I love the humor of 'Monty Python.' I always remember being so impressed by how violent 'Monty Python' are, actually, when you look at what they do. Terry Gilliam has a great way of kind of proposing violence.
I was pretty much a child of Monty Python. I grew up loving that type of humor and even structured a lot of humor in the same fashion.
I was pretty much a child of 'Monty Python.' I grew up loving that type of humor and even structured a lot of humor in the same fashion.
I try to find humor in everything I do, because I think all great plays - even great tragedies - have enormous humor in them.
The thing I most love and hate about fashion is that it changes all the time. But I don't think I or anyone else can singlehandedly get rid of hooker style. Popular taste isn't great by definition. It's just popular.
'Saturday Night Live' is a whole different arena. It's great fun and I love it and that's what we do in the Practical theater. I believe in it wholeheartedly and will do it the rest of my life. But there's also legitimate theater, be it comedy, drama, classics or modern plays which I think is important and something I want to be involved in too.
When I got to university, I would read plays and go, 'But these are about the past. Where are the plays that I love about now?' I couldn't find them, so I started writing.
People who go for humor are wonderful because they do great humor. People who go for wit and end up with humor are people who have made a mistake.
For every age there is a popular idea about what madness is, what causes it, and how a mad person should look and behave; and it's usually these popular ideas, rather than those of medical professionals, that turn up in songs and stories and plays and books.
The thing about the classics it that they are such great characters, they have a great deal of depth and different layers to them. I always find that very stimulating to play.
I really look up to Louis C.K. I think he's great. And obviously he's very popular, more popular than me. Years ago, I was thinking, naively, it would be great to be that popular. And then I thought about it and then I realized that, with his money and his level of notoriety, he has all of the same emotions that I do.
I would rather be a person who struggled there than someone who had a great, easy time and then got out in the world and was like, "Wait a minute, I didn't get voted class president? What's going on?" You know, "popular" doesn't necessarily correlate to anything. "Popular" still has to get up at 7:00 in the morning and go to work and do something worthy too. There's no edge, really, that you get from being whatever was popular in school.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I just play to progressive audiences. You know, if they're watching Discovery Channel, History Channel, that kind of thing, "Monty Python" have already laid the groundwork. They're known around the world. People like that kind of surrealist, left-field humor, and that's what I do. And "Saturday Night Live," a lot of American humor. "The Simpsons," above all, the weird, left-field humor, which I love. And sardonic. So that's all I'm doing. I find that audience, and they're in every developed country around the world.
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