A Quote by Michaela Coel
There always seems to be an element of faith in my writing.
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Out of the element of participation follows the certainty of faith; out of the element of separation follows the doubt in faith. And each is essential for the nature of faith. Sometimes certainty conquers doubt, but it cannot eliminate doubt. The conquered of today may become the conqueror of tomorrow. Sometimes doubt conquers faith, but it still contains faith. Otherwise it would be indifference.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
The truth of faith is a slender, glowing element that runs through even the seemingly ordinary and undramatic moments of existence. Even at low intensity, it is a steady source of illumination. Such religious truth is powerful even when it seems faint, even when it seems obscured by the larger events of history.
It often seems easier not to move on; even the muck and mire in which we're stuck seems less fearful and less challenging than the unknown path ahead. Some people use faith as a reason to remain stuck. They often say, "I have faith, so I'm waiting." But faith is not complacent; faith is action. You don't have faith and wait. When you have faith, you move. Complacency actually shows lack of faith. When it's time to move in a new direction in order to progress, the right people will come to us.
It seems to me that very sad things always contain an element of the comical
I'm increasingly conscious of the fact that, even when we know a lot, there's an element of blind faith. For things to work well, you have to surrender to the moment. This is especially true of writing, producing and truly giving it all in a performance.
I love writing music, but it seems I'm always writing words, so I don't get much time to do it.
Somehow writing has always seemed to me to have an element of performance.
I don't fear death. I'm not obsessed with it the way everybody else seems to be. It's wrong to say "everybody," but in literature I see it all the time - preoccupation with it, philosophical preoccupation, in fact. That's a principle element of literature and philosophy, often cited as the main element, the only real element. I say give it up.
Writing has always been a sanctuary or a refuge for me, any time I'm stressed or anxious or worried I find that a couple of hours expressing myself by writing always seems to have a calming effect on me.
For the sacrificed, in the hour of sacrifice, only one thing counts: faith-alone among enemies and skeptics. Faith, in spite of the humiliation which is both the necessary precondition and the consequence of faith, faith without any hope of compensation other than he can find in a faith which reality seems so thoroughly to refute.
Faith is better understood as a verb than as a noun, as a process than as a possession. It is an on-again-off-again rather than once-and-for-all. Faith is not being sure where you're going but going anyway. A journey without maps. Tillich says that doubt isn't the opposite of faith; it is an element of faith.
Doubt is not the opposite of faith; it is one element of faith.
The writer has two kinds of faith: actual writing and sitting openly. Have faith in your personal effort or sweat. And faith in God, or whatever you want to call it. Then the voices will come. Faith is the big deal.
Not only the studying and writing of history but also the honoring of it both represent affirmations of a certain defiant faith - a desperate, unreasoning faith, if you will - but faith nevertheless in the endurance of this threatened world - faith in the total essentiality of historical continuity.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
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