A Quote by Michaela Watkins

What's fun now is that I have a show at USA that I co-wrote called 'Benched.' I'm completely behind the scenes and not the actor at all. — © Michaela Watkins
What's fun now is that I have a show at USA that I co-wrote called 'Benched.' I'm completely behind the scenes and not the actor at all.
I called Nic Pizzolatto and he said, "No, no. You're in it the whole way through." That was fun to shoot [in The Lobster]. I had a few scenes in that show that were some of my favorite all-time scenes to be in.
I wrote all the lyrics on 'Good Vibrations' and most of them in 'Kokomo.' 'Kokomo' was extremely popular and fun to sing - it's probably one of the bigger sing-along songs in our show. But then 'Help Me Rhonda,' 'Surfin' USA' and 'California Girls' and 'I Get Around' and 'Fun, Fun, Fun' are great songs as well.
Actors are journeymen. We show up for work. We do the job and then we go. What goes on behind the scenes is what goes on behind the scenes.
I think I've learned how to be a better boss. I'm the one running the show now, and in the past, I've always kind of been looking at other people to make the decisions. I feel more confident to run not just my show, but behind the scenes, too.
I'd get into a room and disappear into the woodwork. Now the rooms are so crowded with reporters getting behind-the-scenes stories that nobody can get behind-the-scenes stories.
Let me completely condemn these sickening scenes; scenes of looting, scenes of vandalism, scenes of thieving, scenes of people attacking police, of people even attacking firefighters. This is criminality pure and simple and it has to be confronted.
I started working at Bravo in 2005, when I was offered a job by Lauren Zalaznick, the network's chairman. She encouraged me to start a blog. I wrote behind-the-scenes gossip about 'Battle of the Network Reality Stars,' the first show I took on as head of current programming.
It's fun because I really do love meeting new people. Comedy can be so different from show to show and from writer to writer and actor to actor. People don't set out to make a bad show.
When I was on 'The Golden Girls,' we'd have eight scenes per show. And when 'Seinfeld' came along, they went to, like, 30 scenes a show, which was revolutionary. 'Arrested Development' has probably got 60 scenes per show. It just keeps emerging as this more and more complex thing. I always try to keep it very simple at its heart.
God's ways are behind the scenes, but He moves all the scenes which He is behind.
There is a lack of humor in fashion. To me, it's always been the fun, cool industry to work in, and I always wanted people to be on my side and see how much fun we really have behind the scenes.
What I like about Scolari is his personality. He is a firm guy in his words - if you are not playing well, you'll be benched, but if you are benched and training well, then you will get your opportunity.
I think one of the reasons why The Walking Dead' has been such a successful show is that Andrew Lincoln led that show so incredibly well, from the front, and treated everyone so amazingly, behind the scenes and in public.
The only episode which was completely my idea was for Mitch Pileggi, the actor who portrays Skinner, the Assistant Director of the FBI. He appears often in the series, but only for a few scenes. You know virtually nothing about him. I wanted him to have an episode that was his alone, so I wrote Avatar for him. He even has a scene that's pretty . . . hot [knowing smile]. He was very happy.
Now, being a fan, I love the difference between 'Raw' and 'Smackdown' - I know that each show will be completely different, and that makes it so fun to watch!
In the scenes I try to be a giver as much as possible, giving the other actor something to work with. When not in the scenes I will stand in for eye lines to help the other actor with delivery and hopefully performance.
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