A Quote by Michala Petri

It is not very natural to make dynamic changes with the recorder. When you play a long note and want to make a diminuendo, the pitch will fall, and vice versa. So you need to adjust these with your fingers.
Sometimes if you're in the studio for a very long time, you want to get out and play live shows and vice versa.
You could make your fingers reproduce exactly what you felt, if you really worked at it. I achieved it, not only spending a lot of time at the keyboard but finding ways I could make my fingers reproduce my deepest feelings. It meant, when you hit a note with a finger, you sank into that note all the way to the bottom of the keyboard until it went pow! Right?
In some ways, it's easier to go from short form to long form than vice versa. I used to make 30 second 'movies,' and I think if I only did long form I would find it difficult to adjust to that short a length. 'I gotta say something in 30 seconds. Forget about it!' There have been directors who have done commercials over the years, but they seem to be the exception.
I don't think you need a particular day to dedicate to your dad or to make your father or parents feel special. A child should make his or her parents feel special every day and vice versa.
In my position, I can make changes. I can make changes across the entire organization. If John Ireland doesn't do his job, in his radio broadcast play-by-play, then we would make that change. If the Laker Girls drop down in caliber and couldn't do a dance number, then we'd make changes there.
When I was 18, I never expected to be what I was - you hope to make your debut, to play for the national team, and I want to achieve something similar off the pitch to what I did on the pitch.
One of the most dynamic and significant changes you can make in your life is to make the commitment to drop all negative references to your past, to begin living now.
Once you have seen quality horsemanship and are exposed to the things you can do to help a horse be gentle and dependable, then why wouldn't you do those things? No matter what your horse's age, you are going to try to offer him the best that you can. If you adjust what you are doing, he will adjust too; horses have an amazing capacity to make changes. There is always hope.
The Les Paul was more challenging because of the weight of it, but the tone was there that the Fender will never have and vice versa. So you have to make a decision as to what you're going to have as your main instrument. After seeing Hendrix, I thought, 'I'll stick with the 'Strat.'
I don't have a particular genre that I want to stick to; if you work on a small piece, you take that experience with you when you work on a big piece and vice versa. You will take those experiences with you and they will make the next one richer.
People love the electric rake. You just hit it or whatever you want to do. You can't play 'Swanee River' on it. You have to just make terrible noise. Occasionally, it will make a sound like a note.
First, educate yourself about what a vegan diet entails and why it is beneficial to your health. You need to understand and embrace the philosophy or you will not be able to make such a drastic dietary change. Secondly, make the change over time. Don't try and "go cold turkey"; you will shock your system and you will develop cravings that you may not be able to fight off. If you take your time and let your body adjust you will be eating a completely different diet before you realize it.
The music you make is shaped by what you play it on ... if you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning ... do something to shake it up.
The No. 1 criticism most managers get is that they don't ever change or wait too long to make changes... It's very simple: Either things are performing or they're not. And if it's not performing, we have to make changes.
People make institutions, not vice versa.
Everything that would begin to make somebody a good student would tend to make him or her a poor artist, and vice versa.
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