A Quote by Michel'le
Doing reality TV is hard. You get lost. You are shooting three months before anybody sees it. So you are past [the emotions]. Then when it airs and the public sees it, they react and it drags you back. It feels you have grown, but then you suddenly feel like you haven't moved at all.
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The artist should paint not only what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also refrain from painting that which he sees before him. Otherwise, his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
There are three kinds of friends in the world. An ordinary person sees only who you are; for that you don't need a friend. Then there's a friend who sees in you what you can be. And then there's the real holy Friend, and the presence of this Friend you are already.
Soon now, as the Negro awakens a little more and sees the vise that he's in, sees the bag that he's in, sees the real game that he's in, then the Negro's going to develop a new tactic.
I know who I am, and I know what my ambitions are. If one kid sees me on TV or sees me in a movie and relates, then I'm done. That's perfectly fine. That's enough for me.
And the whole Oscar thing, that is just surreal: you spend months and months doing promotion, and then come back to reality with this golden thing in your hands. You put it in the office and then you just have to look at it sitting on the shelf. And, after about two weeks, you go: 'What is that doing there?'
Love . . . is like nature, but in reverse; first it fruits, then it flowers, then it seems to wither, then it goes deep, deep down into its burrow, where no one sees it, where it is lost from sight, and ultimately people die with that secret buried inside their souls.
I was born in L.A., then we moved to Hawaii, then we moved to New York, then we moved to Baltimore, then we moved to California, then we moved to Hawaii, then we moved to Texas, then we moved to Hawaii, then we moved to California. This was before I was 17.
If one has not read the newspapers for some months and then reads them all together, one sees, as one never saw before, how much time is wasted with this kind of literature.
It would take six months to get to Mars if you go there slowly, with optimal energy cost. Then it would take eighteen months for the planets to realign. Then it would take six months to get back, though I can see getting the travel time down to three months pretty quickly if America has the will.
It's, like, your classic journey from a drama school. I went straight to the three-year acting degree, and I waitressed throughout that to support myself and for the first six months after I graduated. Then I started to get commercials here and there, and then I got a couple of roles in Australia and then a more regular role on a TV series.
Who’s to say that it takes something like a drug to mess with your perception of reality? How did Hitler deceive a nation? How can one group of people look at the world and see one thing, and another see something completely different? One sees a town, another sees a desert. One sees beauty, another sees chaos.” The skin of this world,” he said quietly.
The man who sees two or three generations is like one who sits in the conjuror's booth at a fair, and sees the same tricks two or three times. They are meant to be seen only once.
Reality TV is hard. You put yourself out there and you have no control over which parts they show (and don't show). And you are shooting sometimes 15 hour-days for months and months. It's exhausting - physically and mentally.
The optimist sees a light at the end of the tunnel, the realist sees a train entering the tunnel, the pessimist sees a train speeding at him, hell for leather, and the machinist sees three idiots sitting on the rail track. "The optimist proclaims that we live in the best of all possible worlds; the pessimist fears this is true."
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
When one sees me on screen I hope he or she only sees and feels the character, not Shefali.
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