A Quote by Michel'le

Rap was forbidden with the people who were interviewing us and the shows that I was getting [booked on], and I had kind of crossed over. So Jerry [Heller, who managed N.W.A.] would tell me, 'Do not say you're a rapper, always say you're R&B.'
One of my homeboys from my neighborhood had actually taught me how to rap. He was the rapper and we would all go over to his house. It would be like 10 or 12 of us in there and he'd write everybody's rap in the house and would give everybody four or eight bars.
Then instead of introducing Dre as the guy from N.W.A., Jerry Heller would say Dre was my producer! Dre would come to my interviews with me - he'd come to all these places that would never have had the guy from N.W.A. Wasn't it genius?
Without the piano, I would never have attempted to rap, because I'm a poor rapper. I'm enthusiastic, but it takes me a long time to write eight bars of rap. I would battle any pianist, and yet I would forfeit happily before even getting into a rap battle with anyone.
When he talked to you, you seemed to fit in, but when someone else was talking, or he would be distracted, you jsut looked lonely over there. At least to me. But whenever I would tell you that, you'd say "I'm fine. I just slip out of it, you know?" And I'd say "I'll catch you," and you would say, "It's not the kind of slipping you can catch.
He was one of those people who made you feel like they either didn't know or didn't care that you were in the room and if they ever did acknowledge your existence it was bizarrely score one to you, and twenty years later they'd tell you they'd always had a crush on you but never had the courage to say anything and you'd tell them, What? I didn't even think you liked me? and they'd say, Are you crazy? I just never knew what to say!
My mom is the kind of mom, when we would go to a friend of the family's house, and they would offer us something to drink or offer us something to eat, my mother would always say, 'Tell them no.' You could be starving - you could be dehydrated - but as kids, we were supposed to tell the host, 'No.'
Others would say to me, 'It is only temporary, it will pass, you will get over it,' but of course they had no idea how I felt, although they were certain that they did. Over and over and over I would say to myself, If I can't feel, if I can't move, if I can't think, and I can't care, then what conceivable point is there in living?
As a child, I always enjoyed - my parents used to have these little cocktail parties - and I always loved trying to get the adults to tell me things they weren't supposed to say. And in many ways, that's what my job is today; it's getting people to tell me things that they probably are otherwise not supposed to say.
I always say that comedians and actors were all kind of shy when they were young. I was very, believe it or not, kind of embarrassed as a child. But my mother was a very strong lady and she was the one that kept it going when I thought it would be over for me as a performer. She was always my inspiration and she was a big influence on me.
One of the things I noticed about the Trump supporters was a lot of projected fear. I can't tell you how many times a conversation went like this: "We've got to stop these immigrants, because it's terrible." I'd say, "Okay, what personally have you observed about this?" And there would be basically nothing in that box. And I'd say, "Where'd you get your information?" thinking they were going to say Fox. But they would always say, "Well, I get my information from all kinds of sources." Fox is kind of center-left to a lot of people now.
People were fed up with reality shows about midgets getting married and weird Jerry Springer talk shows. There had been a real dry spell of intelligent family-oriented viewing: the type of program that Mom, Dad and the kids can all watch together. With 'Lost,' there are just so many characters for people to invest in.
One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to have a hit record. They wanted the money, but they didn't want us to be the ones.
One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to “have a hit record. They wanted the money, but they didn't want us to be the ones.
If I were just curious, it would be very hard to say to someone, I want to come to your house and have you talk to me and tell me the story of your life. I mean people are going to say, You're crazy. Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.
My brother and I always had conversations about me being a rapper. I always used to tell him, 'I'm gonna be the hottest rapper.'
At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."
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