A Quote by Michel de Montaigne

People of our time are so formed for agitation and ostentation that goodness, moderation, equability, constancy, and such quiet and obscure qualities are no longer felt.
In San Francisco, vulgarity, "bad taste," ostentation are regarded as a kind of alien blight, an invasion or encroachment from outside. In Los Angeles, there is so much money and power connected with ostentation that is no longer ludicrous: it commands a kind of respect. For if the mighty behave like this, then quiet good taste means that you can't afford the conspicuous expenditures, and you become a little ashamed of your modesty and propriety.
Constancy in love is a perpetual inconstancy which fixes our hearts successively to all the qualities of the person loved--sometimes admiring one and sometimes another above all the rest--so that this constancy roves as far as it can, and is no better than inconstancy, confined within the compass of one person.
The constancy of the wise is only the talent of concealing the agitation of their hearts.
The constancy of sages is nothing but the art of locking up their agitation in their hearts.
Many people compare the agitation of MNS with Shiv Sena because of the mode of agitation. But the main difference is that while Shiv Sena launched an agitation for the poor Marathi unemployed youth, the agitation of MNS is directed against the 'goondaism' of North Indians.
There are two kinds of Riya - Showing off-Ostentation ie pure ostentation and adulterated ostention. In pure ostentation "Riya" a man does a good deed only for worldly benefit. In Adulterated ostentation, a man does a good deed with the intention of reaping the benefits of the world as well as of the Hereafter.
Moderation in all things. And even moderation in moderation. Don't get too much moderation, you know?
It was chilling to realize that the sentimental qualities most valued between people, like loyalty, constancy, and affection, are the ones most likely to impede change.
God's goodness is the root of all goodness; and our goodness, if we have any, springs out of His goodness.
Had there not been five bad qualities, all the people would have been righteous. Contentment with ignorance; love for worldly life; miserliness inspite of much wealth; ostentation in (good) deeds; and pride in their own intelligence.
Take time to be quiet. This is something that we don't do enough in this busy world of ours. We rush, rush, rush, and we are constantly listening to noise all around us. The human heart was meant for times of quiet, to peer deep within. It is when we do this that our hearts are set free to soar and take flight on the wings of our own dreams! Schedule some quiet "dream time" this week. No other people. No cell phone. No computer. Just you, a pad, a pen, and your thoughts.
One of the qualities essential to being good at reading poetry is also one of the qualities essential to being good at life: a capacity for surprise. It’s easy to become so mired in our likes or dislikes that we can no longer recall that person who once responded to poems—and to people—without any preconceived notions of what we wanted them to be.
If we want to eliminate bad qualities like hatred, envy, pride and ostentation, we have to employ Sathya, Dharma, Santhi and Prema and Ahimsa as the cleaning instruments.
Imagine how differently American business would function were our faith in the power of goodness to replace our faith in the power of money. Huge industries would no longer make billions of dollars on activities that diminish the well-being and safety of our children, our health, and our environment, on the pretext that it's "just business." To put money before goodness is idolatry, and the laws of the universe ensure that in the end all idols will fall.
Fullness is always quiet; agitation will answer for empty vessels only.
People used to say my music was too difficult or too obscure, and I never set out to be difficult or obscure. I just set out to write what I felt as honestly as I could, and I am delighted when other people feel a part of themselves in the music.
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