A Quote by Michel de Montaigne

What kind of truth is this which is true on one side of a mountain and false on the other? — © Michel de Montaigne
What kind of truth is this which is true on one side of a mountain and false on the other?
We have hitherto considered only two possibilities: that the received opinion may be false, and some other opinion, consequently, true; or that, the received opinion being true, a conflict with the opposite error is essential to a clear apprehension and deep feeling of its truth. But there is a commoner case than either of these; when the conflicting doctrines, instead of being one true and the other false, share the truth between them.
The bullshitter is neither on the side of the true or the side of the false. His eye is not on the facts at all. He does not reject the authority of the truth, as the liar does, and oppose himself to it. He pays no attention to it at all. By virtue of this, bullshit is a greater enemy of the truth than lies are.
So the dream is continually reminding us of the part which our conscious is forgetting. It does not speak with any absolute authority; it simply gives a true picture of a situation which exists in the unconscious. It speaks truth; but not, as some persons believe, the truth. It shows the other side.
Fiction can produce truth, and truth can be false. What does it mean to say that it's true that, what, two out of six people in this city are starving? That's true, but that is only true because the conditions we live under are completely wrong - that should not be true, and it is. And in something like Sarah Polley's film, her fictions deliver so much truth. The retellings and the simulations and the theatrical aspects are what deliver all the truth.
Don't lies eventually lead to the truth? And don't all my stories, true or false, tend toward the same conclusion? Don't they all have the same meaning? So what does it matter whether they are true or false if, in both cases, they are significant of what I have been and what I am? Sometimes it is easier to see clearly into the liar than into the man who tells the truth. Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.
We are here speaking in open disapproval of that false system of philosophy, not so long ago introduced, by which, because of an extended and unbridled desire of novelty, truth is not sought where it truly resides, and, with a disregard for the holy and apostolic traditions, other vain, futile, uncertain doctrines, not approved by the Church are accepted as true, on which very vain men mistakenly think that truth itself is supported and sustained.
It is always the false that makes you suffer, the false desires and fears, the false values and ideas, the false relationships between people. Abandon the false and you are free of pain; truth makes happy, truth liberates.
If I go for the alternative which is false, then obviously I shall be in error; if I take the other side, then it is by... chance that I arrive at the truth, and I shall still be at fault.... In this incorrect use of free will may be found the privation which constitutes the essence of error.
There is a false modesty, which is vanity; a false glory, which is levity; a false grandeur, which is meanness; a false virtue, which is hypocrisy, and a false wisdom, which is prudery.
On the other side of every mountain was another mountain.
Psychologically speaking, what is true requires no protection, and never becomes negative when challenged. On the other hand, what is false almost never stops trying to protect itself, which it does by finding fault with whatever or whoever challenges the false image behind which it always hides.
Pragmatism asks its usual question. "Grant an idea or belief to be true," it says, "what concrete difference will its being true make in anyone's actual life? How will the truth be realized? What experiences will be different from those which would obtain if the belief were false? What, in short, is the truth's cash-value in experiential terms?
There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false.
The philosopher forms his principles on an infinity of particular observations. He does not confuse truth with plausibility, he takes for truth what is true, for false what is false, for doubtful what is doubtful, and probable what is probable. The philosophical spirit is thus a spirit of observation and accuracy.
Cinema is not truth. Even when you make documentary films, you can choose to show this shot and not the other shot - this side and not the other side. In cinema, there's one truth - not 'the truth.' It's only 'my point of view.' Cinema is powerful because of that.
Isolating the student from large sections of human knowledge is not the basis of a Christian education. Rather it is giving him or her the framework for total truth, rooted in the Creator's existence and in the Bible's teaching, so that in each step of the formal learning process the student will understand what is true and what is false and why it is true or false.
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