A Quote by Michel de Montaigne

Poetry reproduces an indefinable mood that is more amorous than love itself. Venus is not so beautiful all naked, alive, and panting, as she is here in Virgil. — © Michel de Montaigne
Poetry reproduces an indefinable mood that is more amorous than love itself. Venus is not so beautiful all naked, alive, and panting, as she is here in Virgil.
Now piercèd is her virgin zone; She feels the foe within it. She hears a broken amorous groan, The panting lover's fainting moan, Just in the happy minute.
I almost never draw a completely naked man. He has to have at least a pair of boots or something on. To me, a fully dressed man is more erotic than a naked one. A naked man is, of course beautiful, but dress him in black leather or a uniform - ah, then he is more than beautiful, then he is sexy!
A real apple is more beautiful than a painted one, and a live woman is more beautiful than a Venus of stone.
I am going to die of love....daroga....I am dying of love .... That's how it is... I loved her so! And I love her still...daroga.....and I am dying of love for her, I tell you! if you knew how beautiful she was when she let me kiss her...It was the first ...time, daroga, the first time I ever kissed a woman.. Yes, alive... I kissed her alive.... And she looked as beautiful as if she had been dead!
Verse in itself does not constitute poetry. Verse is only an elegant vestment for a beautiful form. Poetry can express itself in prose, but it does so more perfectly under the grace and majesty of verse. It is poetry of soul that inspires noble sentiments and noble actions as well as noble writings.
In a way, that's also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil's text, especially book six where Aeneas goes down into the underworld. And for me, that's a model of the poet's relationship to previous poetry, to another poetry as calling out for guidance.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
What time can be more beautiful when the one in which the finest virtues, innocent cheerfulness and indefinable longing for love constitute the sole motives of your life.
When a man paints a naked woman he gives her less than poor Nature did. I can conceive of few circumstances wherein I would have to paint a woman naked, but if I did I would not mutilate her for double the money. She is the most beautiful thing there is except a naked man, but I never saw a study of one exhibited.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
Venus de Milo. To a child she is ugly. When a mind adjusts to thinking of her as a completeness, even though, by physiologic standards, incomplete, she is beautiful.
My love is unique. No one can rival her, for she is the most beautiful girl alive. Just by passing, she has stolen my heart.
I don't find any direct statements in life. My poetry imitates or reproduces the way knowledge or awareness come to me, which is by fits and starts and by indirection. I don't think poetry arranged in neat patterns would reflect that situation. My poetry is disjunct, but then so is life.
Never have nights been more beautiful than these nights of anxiety. In the sky have been shining in trinity the moon, Venus and Mars. Nature has been more splendid than man.
Error never shows itself in its naked reality, in order not to be discovered. On the contrary, it dresses elegantly, so that the unwary may be led to believe that it is more truthful than truth itself.
Venus herself, if she were bold, would not be Venus.
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